Merry Men : Agency Profile

Merry Men is a media neutral creative agency that loves audacious ideas,  challenging the status quo, and of course being merry. We bring together the best of what a traditional and a digital agency have to offer – loads of experience, passion for ideas, a sound understanding of building brands, and youthfulness. We also pride ourselves on our strong ethics. For example we never test any of our concepts on animals because it would piss off our co-founder- Wagger, the in-house dog.

What made you start Merry Men?
When I saw the kind of integrated work that was happening abroad, where brands were taking ideas seamlessly across media and changing the rules, it made me want to do the same for brands in India. Basically a desire to create an agency that could be and act as a media-neutral solutions partner to brands.

Tell us about your Art Professionals. Did they go into fine art or design schools? How do you pick them up?
Actually we have never cared too much about art schools. A lot of agencies only pick art graduates but at Merry Men we look for nimbleness, flexibility and of course a good design sensibility/ taste. In fact almost all our art people have been from a non-art background. Our last art director was a trained pilot, and one of the guys in the current team actually came for a copywriting interview.

How would you define the design style at Merry Men?
Because we work trans media we have no defined style. We adapt according to the medium, brief and the idea. We believe that a style ties you down and it’s important to never get tied down. In fact we are proud that no two pieces of work done by us look or feel the same.

What does Merry Men do which sets it apart?
The ability to understand what’s needed in different media and deliver integrated solutions. We are also not an egoistic bunch. So we are always looking at co-creating, collaborating with talented folk and even jamming with the client to come up with awesome work for the brand. We love taking risks and experimenting, this we believe is the only way to create new ideas.

Do you think the advertising business in India is undergoing a change?
Yes, it is. Digital is no longer the stepchild in a marketing budget and has almost gone mainstream. Clients no longer want a digital idea for 10,000 Rs. Plus ideas are entering the digital workspace. Social Media is the bus that everybody wants to be on right now. Mobile is still nascent but growing. Which is why traditional agencies and networks are busy gobbling up agencies with any of these specialties.

Were there any particular role models for you when you grew up?
When you’re young your role models are based on mostly on bedtime stories you hear. One such story and role model was Robinhood, who led his Merry Men to victory against a might army simply because they believed in what they were doing and used unconventional warfare techniques. It told me that size was irrelevant and the only thing that mattered was how much you believed in your idea. It was the reason we called the agency Merry Men.

Who was the most influential personality on your career in Brand Building?
Bill Bernbach. Piyush Pandey. KS Gopal (EX NCD of Contract), Josy Paul, Richard Branson and Alex Bogusky.

How important is the focus on good brand idea in Merry Men?
Very important. We love good ideas. But increasingly the focus is on ideas that can spread.

Is there any particular work that you have done which has helped build a brand?
I don’t like talking about the past, so let me tell you about something we did recently. For a new dairy brand called Milky Moo which wanted to tell people that their milk didn’t have to be boiled, we created TVCs and other work that showed people in pop culture who boil a lot or get angry, like newscasters (one in particular) and moms-in-law in TV soaps. The idea was to have a calming influence on the entire country and tell them that neither they nor their milk needs to boil anymore. The campaign went across mediums, from TV to print to in-store and even social media, and really helped the brand clock healthy sales and register high awareness of their core proposition.

What do you feel about the state of design in Brand Building in India?
It’s at a very interesting juncture. Though our traditional design skills like print and brand identity are very good, we are not as good in the digital space. This is because art colleges are still not teaching students digital design in a big way. If designers want to remain relevant and competitive they need to master both.

Internet speed at Merry Men?
Seriously? Okay, fast.

Is it difficult to find good people for work ?
Absolutely. The number one problem.

Any other Indian agencies you admire?
None really. But i do like the work that’s coming out of Creativeland Asia and Happy Creative Services.

What advice do you have for aspiring creative professionals? Would you advise them to take on advertising as a career option?
Join advertising only if your desire to express ideas for a brand is so strong you don’t mind the sleepless nights, reclusive lifestyle and loads of hard work.

Who would your team like to take out for dinner?
Narendra Modi. To get to know the real man.

What’s on the company iPod?
Stadium Arcadium by Red Hot Chilli Pepper.

Mac or PC?
Mac. Most definitely.

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Sumedha Sah : Interview with an illustrator

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Sumedha Sah is a self taught artist and illustrator and hails from the beautiful hill station of Nainital. Having completed her Bachelor’s degree in Architecture from MIT Manipal, She is currently pursuing her Master’s degree in Sustainable Architecture from CEPT University in Ahmedabad. Her artwork is inspired by mundane life experiences, her travels and her innate love for nature. She enjoys spending time with her pets, 3 dogs and a cat. As well as travelling to the unexplored parts of the world.

Some of her clients include, The National Geographic Traveller Magazine India, TED x India and Full Circle Publishing based out of Delhi.

Why are you an Illustrator?
I draw because it gives me immense joy. I draw for this simple reason everyday. With a sketchbook and a box of travel watercolours, I doodle and create. I find inspiration in the happenings of everyday. I strongly believe in the simple joys and know that many of our lives go by, doing things for the head rather than the heart. My sketchbooks are a way to document my life and record the thoughts that cloud my mind on certain days. On others they are a mirror to what I feel.

Did you attend school for fine art or design?
I am currently pursuing my Masters in Sustainable Architecture. I am an Architect by profession and a self taught artist.

You have a distinct style of illustration. How long did it take you to develop your style?
I draw with a fountain pen (Lamy) and use of lot of dots and dashes in my artworks. The fact that I am not a trained artist, I consider this as my main strength as I have come to evolve my own style over a period of 2 years.

Were there any particular role models for you when you grew up?
When I was young, my Mother was my biggest strength; I admired her in every way. Even though she is not here with me now, I feel her presence everyday. That gives me immense strength.

Who was the most influential personality on your career in Illustrations?
My sister, Preetika has been pillar of support for me. She is a graphic designer by profession with a background in Fine arts, over the years she has been my best critique and guide. I’ve learnt a lot from her. Another dear friend who’s always been there by my side is Kartikeya. If it wasn’t for him I wouldn’t be what I am today. My family has also played a major role in making me an artist. Their undying trust gave me new confidence in myself.

What made you decide to become a freelance illustrator? When did you start freelancing? Do you illustrate for advertising?
Freelancing just happened for me by chance. On the advice of one of my friends I created a blog of my artwork. That’s how I got noticed and work started pouring in. I have done from commissioned Paintings, illustrated booklets, and tattoo design to Wedding invites. I started freelancing about a year ago; I haven’t yet got a chance to work for advertising.

Are many advertising agencies getting illustrations made these days? Do you work more with agencies or publishers
I’ve seen lots of projects that have been going on where illustrators are involved in advertising. I have worked for a publishing house as a freelance illustrator at one point of time.

Was there any time when you wanted to quit Illustrations?
For me Doodling has become a regular habit, It’s always at the back of my mind. It’s something I have to do everyday. Such a thought for me, will be like for a musician not to play or a performer not to act. Its in my nature, It will never change.

Have you considered turning your illustrations into toys?
Not until now, But now that I think about it, It sounds like fun!

Any other Indian Illustrators who you admire?
I really admire the works of Prashant Miranda, his style and ability to draw just anything is astonishing. Maheswari Janarthanan is another illustrator that I really love. She is just excellent with her little beings and colour palette. She’s got a real talent.

Do you have any favorite fellow illustrators or resources relating to your fields?
Malota , Yelena Bryksenkova from New England , Geninne Zaltkis from Mexico city and Oana Befort from Romania are a few all time favourites of mine. As for resources I refer to a lot of books for inspiration. ‘An illustrated life ‘by Danny Gregory featuring private diaries of some of the world’s best illustrators is my favourite book.

You have such a wide experience as a top working professional. What advice do you have for aspiring creative professionals? Would you advise them to take on Illustration as a career option? Is it paying well enough?
To have an open mind and heart for inspiration and to create with joy is an advice I’d give to new artists. The most important thing is to find happiness in your work, never do anything for money, if you do it with your heart and soul, Money will surely follow. If it doesn’t make you happy; it’s not the thing for you, I believe.

In India, Illustration is slowly being recognised at an important art form, since it can be used as multiple things, be it advertising, books, invites, maps and even magazine art works, the possibilities with this kind of art form are endless. It is definitely a wonderful career choice and if you are a hard worker, it does pay well.

Mac or PC?
Since I am a traditional illustrator and work by hand, it hardly matters what computer I use. Although it’s a PC that I own right now, changing to a Mac in the near future wouldn’t hurt that much I guess!

Who would you like to take out for dinner?
I would like a combination of my most admired artists in the world. The Exceptional Author Ernest Hemingway for the simple truth in his words, Members of the Swedish band called Koop, because they make some fantastic music, and my most favourite painter of all time, Gustav Klimt, for the magic he created on the canvas. I think with a group like that, it would be a more than ‘memorable ‘dinner with some lovely conversations and great music.

What’s on your iPod?
I am a big fan of this band called Florence and the Machines, they make wonderful music apart from that I have Bonobo, Thievery corporation, Karsh Kale, Amit Trivedi, Goldspot, Radiohead, Fink ,Coldplay, Porcupine tree, Koop and the good old Pearl Jam.

 

To get in touch with Sumedha, reach her blog here.

 

7 sisters

Fetal Position

Old man and the sea

Self Hug

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Sonar Quila,Jaisalmer

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FolliHair by McCann

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TOI Literary Carnival by AdSyndicate

Advertising Agency: Adsyndicate Services Pvt. Ltd.
Advert title(s): TOI Literary Carnival: Booklovers
Creative Directors: Vinay Saya, Utkal Mohanty, Anand Venkatram
Art Director: Vinay Saya
Copywriters: Utkal Mohanty, Anand Venkatram
Photographer: Deepak Vijay

TOI Literary Carnival ad 1

 

TOI Literary Carnival ad 3

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Bodhisatwa : Interview with a Creative Director

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Bodhisatwa Dagupta is a Creative Director, Grey worldwide, Delhi, at the time this interview published.

Bodhisatwa, or Bodhi as he is fondly known in the advertising circus is an obsessive, compulsive writer. When he’s not writing ads for a target audience he hasn’t met, he’s writing the first line of books that he won’t write. And when he’s not writing that, he’s writing about irrelevant things that have no implication in the macrocosm of things. Bodhi hates long words. Like obituary. And when the time is ripe, he’ll write his own, thank you very much.

Why are you into advertising?
Strangely enough, because I like the word ‘fuck’. I’ll explain. When I was a kid, perhaps 6-7 years or so, I used to see these hot shot advertising executives waltz into my place to have meetings with my dad (who, because he was in PR) had to deal closely with them. They looked really cool – long cigarettes dangling dangerously from their lips, drinking at odd hours, and using the word ‘fuck’ freely. I wanted to be like that. I wanted to be cool. And so at the age of 7, I made up my mind that I’d like to be in advertising.

The reason I stayed in advertising, years later, inspite of finding out that contrary to popular beliefe, it is not cool at all, is simply because I don’t think I can do anything else.


Tell us about your recent ad campaigns.
Well, there was the India Bike Week campaign we did for Fox Traveller this year. There was a film a few print ads – but the cherry on the cake was that the client bought into a full VO film. It’s always nice to have a client who understands. Then there was this activation we did, again for Soundtrek, a show again on Fox Traveller. We used augmented reality to turn a mall floor into piano keys, allowing people to actually make music when they walked. It was fun, to say the least.

Were there any particular role models for you when you grew up?
Of course – they always are. But they changed a lot too, as I grew. My biggest role model was perhaps my father who actually taught me to write. He was a great writer himself, and we used to have these poem competitions back at home. When I started learning about advertising, I wanted to be Neil French. Only, the more I wrote, the more I realized it wasn’t easy to be Neil French.

Who was the most influential personality on your career in Advertising?
A little hard to say, because there are hundreds of people who influence me every day. I see something done by someone, and I want to do it too. The next day, I see something else, I get influenced by it. I’m most impressionable that way.

Where do you get your inspiration from?
There’s this little door in my cupboard. A trap door of sorts. My wife and me made it together. It opens up into this strange, magical place where deer and imagination run naked and wild. That’s where I get my inspiration from.
I’m kidding. I get inspired by applause. The more I get applauded, the more I’m inspired to do something better, greater.

Do you have any kind of a program to nurture and train young talent? 
Yes, as a matter of fact I do. I have my very own little program designed by me, to help interns know everything there is to know about advertising. Someday, I’ll start off a little school and earn shameless amounts of money.

Tell us about your biggest challenge as the creative director of Grey.
To act like the Creative Director of Grey. I’ve often been chided because of my flippant, cocky ways. “You can’t say these things to that person”, or “you can’t write those kind of mails”. I’m a fun guy by nature. Unfortunately, the way the person holds himself has a direct co-relation to the designation he holds.

Tell us something about the agency environment. With such a large team, how does that affect individuality and creativity?
Depends entirely on the energy of the large team. Or small team. It doesn’t matter for me. What matters is what the team is feeling. If everyone in the team is excited, filled with positive vibes, it’ll trickle down to the individual.
If everyone on the team is busy dragging the next person down, creativity will not flourish. There’s far too much of negativity for that to happen.

What do you think of the state of print advertising right now? At least here in india, the released work is most often too sad. Are agencies ignoring released print?
I think the quality of released work has become fantastic in the past few years, so I differ with you completely. I know, I know. The heralding cry is that print advertising is dead. Thing is, as long as there are magazines and newspapers, it’ll never be dead. I remember reading a brilliant line when MTS relaunched a while back.
It read “We’re making 3G history. By making 3G, history”. You call that sad?

Pick and tell us about one of all your past campaigns, your personal favourite.
Well, to be honest one of my favourite campaigns that I wrote, was not traditionally advertising. When I was hosting Longhand for the second time, I wrote a series of ads to get people to write. I received a little less than 500 entries that year.

Do you think brands that win advertising awards, do well in the market?
Brands that keep the promises they make do well in the market. If after great advertising, and an orgy of awards, if the brand itself is bugger-all, it’ll die. So no, it won’t do very well in the market. Not unless it’s in the market, shopping for coffins. In which case, it’ll do wonders.

What advice do you have for aspiring creative professionals?
To keep getting inspired. And to follow people, not agencies.

What is your dream project?
Every project I do is a dream project. Simply because till a few years back, I would never have dreamed that I’d be doing it.

Mac or PC?
MAC, always.

What’s on your iPod?
Fungus, probably. Haven’t used it in years.

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Revati Gangal : Painter

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Revati Gangal  grew up in Mumbai and earned her Master’s in Fine Arts (specialising in portraiture) from the prestigious Sir J.J. School of Art. She currently lives in Bengaluru after spending a few years in Dubai. Besides India, her paintings have been displayed at art galleries across the world’s major cities including Paris, London, Brussels, Dubai, Muscat, Doha and Manama. In the past, Revati has also worked as a set/graphic designer and has been a lecturer of visual art at the SNDT Women’s University, Mumbai.

 “My paintings are based on my daily experiences; I seek to interpret the human and objective form through the emotional and visual ‘patterns’ associated with it. The inspiration to paint is triggered by visual patterns, unique compositions and/or by interesting narratives of thought. I find the various colour transformations and the play of visual permutations of patterns quite interesting,” Revati says.

Why are you a Painter?
Right from my childhood I realized that I loved to express my mind and heart only through one medium that was painting. Ever since then I channelized my journey to be a professional in it. The passion that drives me to paint has not been affected or deviated at any point of time since then. Hence I cannot see myself doing anything else besides painting.

Did you attend school for fine art or design?
Yes, I have done my Bachelor’s in Painting and then Master’s specializing in Portraiture from Sir J.J. School of Art, Mumbai.

You have a distinct style of painting. How long did it take you to develop your style?
I gradually evolved my style of painting towards the end of my Master’s Degree, which is almost 11 years back. Since then I tried to make innovations and modifications in it to exploit it to the maximum.

Were there any particular role models for you when you grew up?
I loved the execution of Tyeb Mehta, the rhythmic lines of Jogen Chowdhury, the patterns of (Gustav) Klimt and the expressions of (Vincent) Van Gogh, Edward Munch and Sudhir Patwardhan.

Who was the most influential personality on your career in Illustrations?
There was no such personality in particular. Episodes from my life and the drive to express them in the form of painting was the whole and sole reason.

Are many advertising agencies getting illustrations made these days? Do you work more with agencies or publishers?
I work purely as an artist and it’s distinctly different from what an illustrator does. I do paintings and exhibit them in art galleries.

What made you decide to become a freelance painter? When did you start freelancing? Do you illustrate for advertising? Are many advertising agencies getting illustrations made these days? Do you work more with agencies or publishers?
I have done freelancing at one point of time in life, but was never content with it. Since four years I am purely into painting what’s on my mind and displaying them for the public.

Was there any time when you wanted to quit painting?
No, but I did teaching, graphics designing and freelancing for a period of four years to earn my living. Later I decided to give-up everything and paint only for the sake of art.

Have you considered turning your paintings into graphic novels?
If I get such opportunity in life, will definitely love to do so.

Any other Indian painters who you admire?
I like the work of Shivlal Saroha in recent times – it brings in memories of the artists that I love and who inspire me.

You have such a wide experience as a top working professional. What advice do you have for aspiring creative professionals? Would you advise them to take on painting as a career option? Is it paying well enough?
Being an Artist/Painter is a long and tough journey. One needs to put in continuous hard work for minimum ten years before he reaps in the glory and success of it. So I would advise one to be patient and believe in oneself no matter whatever happens.

Tell us something of your personal projects.
All my paintings are my personal experiences. There is a very thin line between my personal and professional life. Work is always fun for me. I have a Solo exhibition of my paintings running currently at Artists’ Centre Gallery Kalaghoda.
Besides this I am looking forward to do some more exhibitions in Mumbai, Delhi and Bangalore in the coming years.

What is your dream project?
I would love to be recognized as an artist of international calibre and see my works displayed in all the nooks and corners of the world.

Who would you like to take out for dinner?
My husband – as our little daughter keeps us on our toes and gives us less time for such moments.

What’s on your iPod??
Mostly Indian and Western Classical – I find it meditative.

Mac or PC?
Mac. Its interface is intuitive.

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Nitin Patel : Photography

Why are you a photographer?
Because I think that is the only thing I am good at.

Do you remember any decisive moment when you felt ‘I want to be a photographer’?
Not really, But few things I had In my mind very clear when I started thinking about What I want to do in Life & for my Living,
Rather sitting at one place for the whole day it’s better to explore world around you.
According to me, observing things is much better then to read, write or listen in LIFE.
Work when you want to, not like you have to.

Were there any particular role models for you when you grew up?
My Dad.

Who was the most influential personality on your career in photography?
It’s hard to say just one name because I have been influenced from many people who have come across in my life at different point of time. For Example initial stage of my career there was not much easy access to see, learn and understand other photographer’s who work overseas. The only time you can see their work was in some big exhibition or in books or some international magazine around you. But Now the Scenario has got changed after the computing world. We can easily see anyone’s work just on a click. Few People who really influenced me in Photography are Hardeep Sachdev, Ronny Sequeira, Henri Cartier Bresson, Raghu Rai, Prabhudas Gupta, Herb Ritts, Paolo Roversi, Peter Lindbergh and Annie Leibovitz are few names from the list.

How has photography changed over the course of the last couple of decades? Is execution/art direction more important than it used to be?
I really don’t know about the couple of decades. I am there from Last 1 decade only ;-) . What change I can see clearly is, there is no one eye execution after the digital has come in the market. Film was there, when I was introduced to the world of photography. All photographers use to shoot mostly on film. Art or creative director use to get few Polaroid’s in their hand to see how the final image is going to look like. But now in the digital age interference of all the creative and other Talents has been increased so much that they can get to see each and every frame as a Polaroid. It is equally good and bad that’s what I think. It is very hard to execute what you have in your mind in the beginning of the shoot, when so many people are involved in the execution process your vision gets diluted somewhere, that’s what I think. These day’s I don’t see that individual style which use to be earlier. There was a time we use to guess the photographer who is behind the Image by his own individual style.

Given a choice, no other constraints, film or digital?
ANY TIME “FILM”. It has a History of more then 100 years.

What do you think of the current state of Print Advertising photography in India? Is it at par with the work done worldwide?
It is still in progress. Agencies should come out from their comfort zone and try new talents.

Where do you get your inspiration?
From the life around.

Was there any time when you wanted to quit photography?
What…  ! ! !
Any current work in Indian Advertising that you find exciting? Especially Print?
Still yet to come on billboards.

Whats your dream project?
Keep on working good.

Who would you want to spend a dinner with?
I prefer my family should be around more than anybody else.

Whats on your iPod?
Indian Ocean, Nusrat, S.D. Burman, R.D. Burman, Mukesh, and few folk and sufi.

Mac or PC?
Was this a Question !!! Really….

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Viswaprasad Raju : Interview

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Interview of Viswaprasad Raju– Senior Lead-Creative Process at Doo Creative, Hyderabad

I was born in a remote village in East Godavari, in Andhra Pradesh, and brought up in the outskirts of Hyderabad: around the Golconda fort in the Army quarters skirting the fort walls and around factories in Jeedimetla, thanks to my father’s stints with the Army and with HMT. I used to sketch when in school, which I started again. With more travel, I started writing travelogues. I’m currently working on a screenplay. I live with my family – grandma (95 and going strong), parents, wife, two daughters, a scurry of squirrels and a dream of going back to Europe or the National Parks of Central India whenever time permits. I collect coasters, am passionate about Tennis and I have plans to come up with creative products, say calendars and diaries using my sketches. If you find advertising missing here, read on.

Why are you into Advertising?
Somebody told that it’s a job where you can have the most fun having your clothes on. I bought into it. It is, to an extent. When your hobby becomes your job, it’s no longer a job. I am living my dream, no regrets.

Did you attend school for fine art or design or Communications?
I dropped out of a Diploma course in Creative Writing.

Tell us about a recent campaign you worked on?
It’s for an uber luxe realty project. We have some interesting ideas up our sleeves. Pretty excited about it!

Were there any particular role models for you when you grew up?
Too many across film-making, sketching and writing – and that left me confused. To pick a few – Mario Miranda, Shekhar Kapur and Vikram Seth

Who was the most influential personality on your career in Advertising?
Swapan Seth, Joji Jacob. Have been following their work since a long time.

Where do you get your inspiration from?
I go by the adage – the raw material of advertising is life. There’s so much chaos, so much life out there, so many ideas floating around. Pick that sticks to the brief. Plus, I carry a small book – The Creative Companion by David Fowler, it’s an instant mind-opener.

You had worked with O&M, Hyderabad and R K Swamy BBDO, Hyderabad, How was your experience working with big agencies?.
Two different schools!

What do you think of the state of Print advertising right now. At least here in India, the released work is most often too sad? Are agencies ignoring released print?
The shift to one-good-ad-film-is-enough has led to the present state of released print work in India. You would hardly find work that’s a stopper. Plus, the visual-driven approach has taken the front seat, so long copy ads are relegated to the garage.

Pick and tell us about one of all your past campaigns, your personal favourite…
The billboard campaign that we did for Medwin Hospitals. It ran for over three years. Here was a client who gave total freedom. We focused on social issues, month after month, and it became a landmark of sorts, people taking a detour to see the billboard, strangers sending me mails. It was the most talked about billboard campaign in Hyderabad. From The Hindu, The Indian Express to vernacular newspapers, it became a regular feature with them – to feature the billboard. It was rumored that the press photographer from a leading daily would wait to capture the billboard while the paint (long before the flex era) was still wet. The most cherished was the one we did during the Gujarat riots – ‘Iss Gujraat ki subah kab hogi’. Also, the one on using mobiles while driving – ‘Cell2Hell’. I realized the power of good advertising then and how good work spreads. Ok, we now have a name for it – Virals.

Do you think brands who’s advertising wins awards, do well in the market?
It should be the other way around. The sole criteria should be work that does well in the market. If it picks a metal or two, it’s the icing on the cake.

What advice do you have for aspiring creative professionals?
Meet interesting people. See Interesting movies. Read interesting books. Travel to interesting places. Lead an interesting life, everything else will follow.

Who would you like to take out for dinner?
Penelope Cruz

What’s on your iPod?
Whatever is being played on my art partner’s Mac!

Mac or PC?
PC/Paper

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Occasional Travel Writer

 

Urban Sketches - Postnoon Daily Newspaper

 

 

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Valiyaveetil Sanoop : Interview

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From Payyanur, village in Kannur, Kerala. Started career with JWT Bangalore and now working as a senior visualizer at O&M Bangalore.

Why are you an Illustrator?
Because i love illustration, more than being an illustrator, i would like to be an art director

Did you attend school for fine art or design?
Yes i did. Got graduated in Applied Arts from college of fine arts, Trivandrum. Kerala.

Tell us about  your recent work campaign?
Ginger poster campaign. Ginger is a fashion brand. The campaign about promoting their accessories. I can undoubtly tell, that it was one of my best campaign I was involved in so far.

Who was the most influential personality on your career in Advertising?
As I mentioned earlier, I started with JWT Bangalore, i have been there for about 2 years.?As a beginner, it was a wounderful journey with the most inspiring minds at JWT.

You have a distinct style of illustration. How long did it take you to develop your style?
I never tried to stick to one style, I always tried to figure-out a style which has more potential to convey the brief clearly and more interestingly.

Were there any particular role models for you when you grew up?
My father, he taught me a lot in my life as a person & as an artist.?.

Are many advertising agencies getting illustrations made these days? Do you work more with agencies or publishers?
Oh Yes. I would work more with agencies.

Was there any time when you wanted to quit Illustrations?
Never, I never consider doing illustration as a job. its like a part of me. I love to do illustration and will keep doing it.

Have you considered turning your illustrations into toys?
Yes, its a wounderful thing to give more dimension to your own creativity.

Any other Indian Illustrators who you admire?
Raghava KK, is a contemporary artist living and working in Bangalore.

Do you have any favorite fellow illustrators or resources relating to your fields?
Lots of people!!!… Sameer kulavoor, Deelip Khomane their style, innovation and experiments inspire me alot.

You have such a wide experience as a top working professional. What advice do you    have for aspiring creative professionals? Would you advise them to take on Illustration as a career option? Is it paying well enough?
I dont think i am the right person to advice. Because i am just a beginner but just loving what i am doing & always trys to pull out the best in me. Yes, money is important more than that be passionate.

Who would you like to take out for dinner?
Scarlet Johanson, Penelope cruz

What’s on your iPod?
I dont have an iPodbut I love Pink Floyd, Bob Marley & Instrumental tracks.

Mac or PC?
My first preference is a paper and pencil than mac.

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Black

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bangkok DDF

paris back

venice DDF

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Omkar Chitnis : Photographer

“I a Mumbai based photographer. I completed my graduation from J. J. Institute of Applied Art, Mumbai in 2007 with photography as Major. My college years not only groomed me aesthetically but also provided me with a sound understanding of photography as well as related media.
Having assisted the ace fashion photographer Prasad Naik, I started on my own in 2009. In past two years he has worked for clients like Kaya Skin Clinic, Red Fm, Vodafone, Reliance, Officer’s Choice, Yes Bank, Axis Bank, Wagh Bakri Tea, Aquaguard, Aquasure, Vinegar and many more.
I believe in learning by best of his abilities & making most of any opportunity.”

Why are you a photographer?
I don’t really remember how I decided to be a photographer. I had this connection with camera since I was a kid. I had a toy camera, which kept me busy for hours. Somewhere I knew I liked this field. Once I got into J. J. School of Art I got the opportunity to know photography in better sense. In my 3rd year I chose photography over other elective subjects because I knew this is what I am good at than anything else. And that’s how it started.

Do you remember any decisive moment when you felt ‘I want to be a photographer?’
Once I was discussing with my uncle about photography and its prospects so he said ‘Why don’t you try your hand on my SLR? Try it for few days and you’ll know yourself.’ That’s how I got SLR in my hands for the first time. After spending hours n hours experimenting with it I was pretty sure that I want to be a photographer.

Were there any particular role models for you when you grew up?
It amazes me when I look back that I never had a role model in particular. When I was growing up I got inspired a lot by what was happening around me. There was not specific person or thing, I used to admire any quality of any random thing.

Who was the most influential personality on your career in photography?
Since I started assisting Prasad Naik, he became my mentor & inspiration. Whatever I am right now is majorly about what I learnt from him. Even Prabuddha Dasgupta and Patrick Demarchelier’s work fascinates me a lot. I can just keep looking at their work for hours.

How has photography changed over the course of the last couple of decades? Is execution/art direction more important than it used to be?
The photography has changed from analog to digital in recent years and I think that is a major shift we have seen. Not just the technique but even the approach has changed. In analog photographer cannot see the result instantly, also it is expensive. You cannot go on shooting hundreds of films as you can shoot hundreds of frames in digital. So study of the frame before actually shooting it was a crucial part and it demanded a lot of precision. Whereas in digital, it is convenient and economical because we can shoot a lot of frames and see the result immediately at much lesser cost. But at times because of it, photographers tend to rely on technology a bit too much. Execution & art direction have always been important, its just that now their importance has gained a wide acknowledgement.

Given a choice, no other constraints, film or digital?
Film anytime.

What do you think of the current state of Print Advertising photography in India? Is it at par with the work done worldwide?
I think the sector is emerging. With some good ad agencies coming up with better ideas and excellent execution, the print advertising is making wonderful progress. Also there is much more skilled labour available in India than it used to be earlier, may those be stylists, photographers, art directors, etc.

Where do you get your inspiration?
I’m an artist so I draw inspiration from absolutely anything. May it be an article, a poem, a painting, a song, a concept or at times my own work. But to name a few Raja Ravi Verma, Smita Patil & Frida Kahlo are some inspiring personalities. Specifically talking about photography Prabuddha Dasgupta and Prasad Naik always inspired me.

Was there any time when you wanted to quit photography?
No. Obviously there have been hard times in my life but I never doubted about my skill. I never had plan B.

Any current work in Indian Advertising that you find exciting? Especially Print?
Not really. Recently I have not come across anything striking in print advertising. But just to talk about print, editorials of Prabhudhha Dasgupta, Prasad Naik and Tarun Khiwal are really exciting.

What’s your dream project?
Shooting for Vogue cover page is my dream project. I also want to shoot Lakshmi Menon, Deepika Padukone, Kate Moss and Milind Soman. I find them just perfect as a model and a treat for a photographer to shoot.

Who would you want to spend a dinner with?
I would have gone dinner with Smita Patil and Frida Kahlo if they were with us. They have been always inspiring for me.

What’s on your iPod?
Indian Classical, Old Bollywood classics, Gazhals, Folk and country music from India and worldwide.

Mac or PC?
Mac anytime!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The post Omkar Chitnis : Photographer appeared first on desicreative.

Zyloric by Point Blank, Mumbai

Advertising Agency: Point Blank, India
Director: Bindu Menon
Creative Head: Sujeesh Sukumaran
Creative Director: Gayatri Chauhan
Art Director: Hemant Teli
Copywriter: Geo Joseph
Account Manager: Aparna Iyer
Graphic Designers: Mahesh Varekar, Nilesh Sawant, Alexander Koilpitchai Nadar, Asif Ansari
Photographer: Nikhil Shivdikar

 

Karthik M : Interview with an advertising creative

 

Just like it says on his website, Karthik M is a guy who loves to make things, who lives with his musical better half, and who sincerely believes that one day both his feline sons will start talking to him. He loves doing side projects, just like Ji Lee and SwissMiss. He’s the author of @mysmallstories on Twitter. He keeps a thick beard to hide his double chin, and will often scratch it while pretending to think. He finds it very, very difficult to write about himself, be it in the third person, or out of that person.

Why are you into Advertising?
Because it lets me revel in my misfit-ness, and pays me for it too.
Did you attend school for fine art or design or Communications?
Yes. R. A. Podar College of Commerce and Economics.

You are an illustrator, graphic designer and copywriter. Which of these best describes you.
None. An unromantic, absent-minded husband. That sure does.

Were there any particular role models for you when you grew up?
N.A. (Not grown up yet.)

Who was the most influential personality on your career in Advertising? In Illustration and Design?
The Internet.

Where do you get your inspiration from?
From everyday life, and my very tolerant wife.

Tell us something about the work environment at your agency Catalyst SMC.
Leg-pulling 30%, Laughter 30%, Talks on Food 20%, Eating 10%, Alcohol sessions 5%, Abuses 5%.

What do you think of the state of Print advertising right now. At least here in India, the released work is most often too sad?
It could be so much better. Right now, it’s a clear case of too many cooks spoil the broth. Everybody wants to have their say in it. “Hey! It’s just advertising. Even I know a thing or two.” seems to be their thought process. And you can’t argue with that. The result? Well, we all know what that is. But I admire Taproot’s approach. They do really good ads, and most of them are released work. So hats off to them, especially the person who sells it, and the client who buys it.

Do you think brands who’s advertising wins awards, do well in the market?
Well, there cannot be so many scam ads year after year, right? There are clients out there who are brave enough to put that work out into the market, and also intelligent enough to check whether they are working or not. So I’d love to think
that yes, they do work well in the market. And I also think that “Make a great product, and you won’t
have to worry about advertising”.

What advice do you have for aspiring creative professionals?
To all aspiring creative professionals (which includes me too), I’d suggest: Learn, unlearn and relearn.

Who would you like to take out for dinner?
My wife. She’s had way too many takeouts with me.

What’s on your iPod?
iPad chalega? Some Coke Studio, Dewarists, The Shruti Box and Bollywood.

Mac or PC?
Hey, thanks! Mac. Which model are you giving? Is it the new iMac?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bhavesh Doshi : Interview

Bhavesh Doshi is a Unit Creative Director at LinHealth, Lintas, Mumbai (at the time this interview got published)

Why are you into Advertising?
When people would ask what I did for a living and I’d say I am in Advertising, they would raise their eyebrows. Not because they knew how great this world is, but because they didn’t. What really is it? they would ask and I would go into a detailed explanation of what it is not.
Does that answer your question? No. But it did get you this far, didn’t it? That’s advertising. And I love it.

Did you attend school for fine art or design or Communications?
Well, the school(s) I went to had no professors, only bosses. So no.

Tell us about your recent campaigns?
A very interesting public awareness campaign is in the pipeline. It’s interesting because it has got the magnitude and the muscle to create an impact. I am looking forward to it.

Were there any particular role models for you when you grew up?
No not really. Fashion TV came in late and I could not get my hands on Vogue or any other magazines, so no models for me.

Who was the most influential personality on your career in Advertising?
I had no one in particular. However, Luke Sullivan, made it really easy for me in the initial days into advertising with his book, ‘Hey, Whipple, Squeeze This’.

Where do you get your inspiration from?
Inspiration is a moment. For me, it is not a place or a thing, it is purely the magic of that moment, that Eureka moment. In which, I do not realize what takes over me. Some higher energy makes me sit upright and makes me write down that damn thought that just created unexpected sparkles in my mind.

Do you have any kind of a program to nurture and train young talent?
Innocence. I try and bring innocence in my thoughts and it all just grows from there. And the belief that anything can be thought differently from the way it has always been thought.

Tell us something about the Lintas Environment
Well, I have just about joined the healthcare section of this agency, but I can say this that it is full of lovely people who are ready to help. There is this rush to do great work and to do it with all fairness.

Tell us about your biggest challenge as the Creative Director.
To deal with a client who is so clear that he wants mediocre work.

Tell us about your 1st job as a Creative Director in advertising.
When I got promoted to the role of a Creative Director, from Group Head-Copy, nothing really changed because before I got promoted I was anyway doing the job. So it was more of a designation change than role change.

What advice do you have for aspiring creative professionals?
I think those aspiring to get into creative roles, really don’t need any advice, all they need is exposure and the ability to take risks with their ideas. No one has made it big, playing safe.

Would you like to tell us something about your upcoming campaigns?
Well, they are coming soon.

Who would you like to take out for dinner?
My 2 year old daughter.

What’s on your iPod?
Hans Zimmer

 

 

 

 

Neenah Paper: We are all in it together.

Advertising Agency: Y&R Dubai
Chief Creative Officer: Shahir Zag
Creative Director: Shahir Zag, Kalpesh Patankar
Copywriter: Shahir Zag
Art Director: Kalpesh Patankar
Illustrator: Kristy Ligones
Account Supervisor: Nadine Ghossoub

 

 

 

Land Rover by Y&R Dubai

Advertising Agency: Y&R DUBAI
Chief Creative Office: Shahir Zag
Creative Director: Shahir Zag, Husen Baba
Copywriter: Shahir Zag, Guillaume Calmelet
Art Director: Shahir Zag, Husen Baba
Illustrator: Kristy Ligones
Account Supervisor: Sarah Locke
Advertiser’s Supervisor: Jean Atik
Account Manager: Pierre Farra

 

 

 

Harvey Nichols by Y&R Dubai

Advertising Agency: Y&R Dubai
Director: Dimitri Daniloff
Executive Creative Director: Kalpesh Patankar
Agency Executive Producer: Amin Soltani
Agency Producer: Jolianne Ray
Photographer: Dimitri Daniloff

 

 

Bangalore Midnight Marathon by Huddle Message Development

Creative Director: SUJIT SOMAN
Art Director:  ABDUL SHAFEEQ
Copywriter:  SUJIT SOMAN

 

 

 

Vinci Raj : Interview

About himself:  A simple guy who loves to have fun. Vinci works at Ogilvy.

Why are you into Advertising??
I love the creative challenges every day at work. The fact that the work I create is tangible – ads that can be seen. Creating new ideas that entertain people and get them talking, excites me.

Did you attend school for fine art or design or Communications??
Yes, I did. Masters in Vis-Com, in Loyala. Post my MBA though.

Tell us about your most recent campaign?
MTR Spicy Pickle, Titan Eye Plus – Bad Eye, Thinkpot – Roar your way to the Cannes.

Were there any particular role models for you when you grew up?
Joono Simon and Sendhil Kumar. My bosses have been my role models.

Who was the most influential personality on your career in Advertising??
Joono Simon!

Where do you get your inspiration from??
My experiences, everyday life, inspiration is around you.

Tell us something about the Ogilvy environment.
It’s a huge fun gang. We might be divided by accounts, but united by spirit.

Tell us about your biggest challenge as an Art director at Ogilvy…
Everyday, the challenge is to create work that I am satisfied with, and proud of. Work that is exciting, new and innovative.

Tell us about your 1st job as a creative in the field of advertising.
Like everyone, I was eager to learn, all aspects of art. Be it illustrations, graphic design, art direction.

Pick and tell us about one of all your past campaigns, your personal favourite…??
The award winning campaign ‘Don’t use the phone while driving’ for the Bangalore Traffic Police is my favourite campaign. More than the 2 Cannes it won, I cherish the GoaFest Award it got me. Also, the fact that the campaign went viral made me happy.

What do you think of the state of Print advertising right now. At least here in India, the released work is most often too sad?
The quality of the work released depends on the clients too, right? There is tremendous talent and potential here in India. Take a look at the award books. There is enough proof.

Do you think brands who’s advertising wins awards, do well in the market??
Yes, why not? Ideas that win awards are usually the most simple and insightful ones.

What advice do you have for aspiring creative professionals??
Be passionate. You should truly love the work you do for you to succeed.

Who would you like to take out for dinner?
Rajanikanth Sir!

What’s on your iPod?
All Rajani hits!!

Mac or PC??
Mac, I’m an art guy. What else do you expect?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ananda Maharjan, Typographer and Graphic Designer in Kathmandu

Graphic Designer and  Type Designer from Kathmandu, Nepal, 29 years old, 9 years experience in design field, also a CSS Developer and Photographer. Recently working in Grafioffshore Nepal as a Senior Graphic Designer.

Why are you a Graphic Designer?
I was always interested in Design and Typography.

Did you attend school for fine art or design?
I was a Managment student because there were no any design colleges in Nepal at that time. After completion of Bachelor in Business Administration, I attended a two years intermediate course in Fine Arts from Lalitkala Fine Art Campus.

You have a distinct style of Design. How long did it take you to develop your style?
I don’t think I have consistent style of Design. It keeps on changing everytime.

How did you develop your fascination for Typography and creating your own type faces?
I always wanted to try new fonts for my designs. Seeing same devanagari fonts everywhere was boring. Then, I tried creating fonts with little know how.  People need to understand the importance of distinct typography in design and branding. There are some really good Nepali Devanagari fonts designed in Nepal but they have become old and overused now. Every advertisement looks the same because of the fonts. So, I’m trying to inspire new designers to try something new.

Have you converted your type designs as computer fonts?
Yes, all my fonts which are completed can be downloaded free from www.nepalifonts.blogspot.com and www.anandakm.com.np I’m still working on some new devanagari font designs which will be posted when completed. The devanagari fonts are based on old QWERTY keyboards, probably Remington typewriter, may be little different from hindi keyboard. I haven’t converted them to unicode. Unicode fonts for designing is not practiced in Nepal, unicode are only used in web.

Do you see a market for fonts? As in, are you able to sell your typefaces?
No, there’s no market for fonts in Nepal. I haven’t sold any fonts till now.

Hows the market for Graphic Design and Typography in Nepal?
The market for Graphic Design in Nepal is growing. It’s good. Now, there are lots of great design companies, advertising agencies, web companies,  publication houses and also design outsourcing. But not market for font . Some advertising agencies also create devanagari fonts. But completing whole sets of characters to make a font is really time consuming.

Were there any particular role models for you when you grew up?
Dont’t remember any.

Who was the most influential personality on your career in graphic design?
My brothers who are in design and advertising industries.

When did you start freelancing?
I only taken few projects from my friends companies and personal relations.

Was there any time when you wanted to quit graphic design?
Yes, after working 5 years in Print Designing, I quit and started web designing, css codings. And again after 2 years in css coding, I’m back working as a Graphic Designer.

Are many advertising agencies hiring graphic designers? Do you work more with agencies or publishers?
Yes, there are lots of creative ad agencies which hire designers and pay good amount. And there are also good magazine publishers and press, publication houses which hire designers. So, the scope of Graphic Designing  is growing in Nepal. I have worked with publication houses, web companies, some ad agencies and outsourcing companies.

Do you have clients who give you steady work or do you advertise for new clients often?
Yes, I have some regular clients. I really don’t advertise for new clients.

Any other Indian graphic designers who you admire?
Right now, I remember Achyut Palav and Satya Rajpurohit.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
Sure, I encourage them to take on graphic design as a career. And I want to inspire them to try something new typography and come up with new nepali devanagari fonts and I’m always ready them to help them.

Do you think Clients are opening up to keeping aside a decent respectable budget for design work? Do you think clients are understanding that they need to invest in Design as a communication tool and also to cut the clutter, and that good design comes at a price?
There are various types of clients in Nepal. Some pay good amount for good work while some pay less and want unique designs. Some clients want clean design, while some doesn’t want to leave any white spaces in design, they want to fill all the spaces with text, images and big logos. So, it also becomes our responsibility to educate clients and convince them to approve better designs.

Who would you like to take out for dinner?
Park Min Young

What’s on your iPod?
Priscilla Ahn, Kina Grannis, Dia Frampton, Narayan Gopal, BhaktaRaj Acharya etc.

Mac or PC?
PC and Dell Laptop

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sabeena Karnik: Typography

Sabeena Karnik is a Graphic Designer from Mumbai. She is a freelancer specializing in paper typography and has developed her own style in 3D sculpturing using paper. Her recent works include a typography campaign for Tanishq jewellery and a title design for a short documentary for The American Cancer Society. She teaches painting, calligraphy and sells art in her free time.

Why are you a Graphic Designer?
Right since I can remember, art was chasing me. I always had a pencil in hand and colors were in plenty. I would be doodling all the time, even the walls of my house were not spared. So taking up art as a career was a very natural instinct. It was a hard choice to make between applied art and fine art. But I can never make something just to keep myself happy, I think that is what fine art is all about. For me creating something has to be for others be it a product, the way it looks, the way it is presented. That is basically the work of a graphic designer. Hence it had to be applied art. I do a lot of paintings too, but its again an idea that I am presenting and working around.

Did you attend school for fine art or design?
Yes, I graduated from Sophia Polytechnic Institute of Art and Design in Mumbai, with a typography major.

You have a distinct style of Typographic expression. How did you develop this style?
Its been a fascination ever since I was a kid. I used to cut out and collect alphabets that looked unique. I loved letters so much that I started drawing them out and developing my own style. Thats when I got immersed in Calligraphy too. In the meantime paper brought the sculpturor out in me. Paper has the most magnificent ability to turn into anything with the right technique and application. Each fold, bend and curve can be interpreted differently. It has so much of depth.
In a way now, I am combining the three, paper, typography and calligraphy. Typography being the skeleton while the inner detailing being calligraphy, just done all with paper. The photography is an integral part of my work. The end product has to be captured in the right kind of light, which can give multiple views to the viewer and thereby alter what is being conveyed.

Were there any particular role models for you when you grew up?
I haven’t had any one particular role model. Places and people in general have always fascinated me. My travels to Africa as a child have helped to find my own perspective as an artist. Stories I came across in people, nature, artworks I have seen have played a major role in bringing out the artist in me.

Who was the most influential personality on your career in graphic design?
Achyut Palav under whom I learnt calligraphy has been very influential. Im also inspired by Jen Stark a young paper sculpturer, her works defy the force of gravity.

When did you start freelancing?
I started Freelancing in 2008. I did a lot of logo and corporate identity independently, lived in Africa for a few years and worked for design houses, made paper products for an NGO, did paintings for an art store. Freelancing happened out of choice. It gives a me time and opportunities to discover my own potential everyday through the assignments I get. Over the last one year the focus has shifted to typography purely. The paper typography project that started as personal work, has now garnered so much interest by public and designers from all over the world, it made me take my capability of it more seriously, and to develop it further.

Was there any time when you wanted to quit graphic design?
I have taken breaks but never felt like quitting.

Are many advertising agencies hiring graphic designers/typographers? Do you work more with agencies or publishers?
Yes agencies are hiring designers with special skills all the time. There is always a demand for fresh new work and ideas that are out of the box. Your work has to be seen by the right people at the right time.
Unfortunately, type design is not given the importance it deserves in India.
I have worked with agencies, a tv producer and at the moment with a publisher too for a book cover design.

Do you have clients who give you steady work or do you advertise for new clients often?
Steady work is constant and clients change constantly too. The best way to advertise yourself to the world is to showcase all your creative work and keep updating your skills.

Any other Indian graphic designers who you admire?
I admire the work of Raja Sandhu. He is based in Canada. Strong typography, simple and stylish work.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
I would advice aspiring creative professionals to not forget to draw. The computer is a tool. Find your own calling and pursue that. Do not hesitate to be different. Have the best work from your portfolio in design sites and promote your work in the right way. Keep looking for inspiration and keep sketching. The pencil is mightier than anything else. Also, I will add, designing and art isn’t everything. Travel, read, meet people, broaden and expand Syour horizon.

Do you think Clients are opening up to keeping aside a decent respectable budget for design work? Do you think clients are understanding that they need to invest in Design as a communication tool and also to cut the clutter, and that good design comes at a price?
Clients have a very big budget to advertise their brand. To an extent it depends on the brand also.
And if that involves good  design so be it. The agency gets the better of it and a small part of it goes to the designer thats been hired. Like I said earlier, very few campaigns in India involve good illustration and type design. The trend is slowly changing.

Who would you like to take out for dinner?
Leonardo Da Vinci. We would need an interpreter though.
Jeff Nishinaka. He is the most brilliant Japanese paper sculpturer.

What’s on your iPod?
From western Classical to pop, Bach to Backstreet Boys

Mac or PC?
Neither at the moment
But a mac as a laptop and PC as desktop.

Sabeena’s work can be found here.