Measuring Ad Success in Eight Days or Less

measuringTapeThe recession has either changed the way advertisers do business or has forced us to reevaluate the ways in which we do business. The focus has shifted to the effectiveness and efficiency of an ad campaign rather than stressing the  campaign or ad variables such as reach and effective frequency.

If you work in a media department, then measuring effectiveness and efficiency is something you’ve likely done for years with little to no fanfare from the client side. Well, the climate’s changed, and clients are concerned more than ever — with good reason — that their ads and campaigns meet efficient, effective, and measurable goals. Their priority is to connect with the target audience in a manner that’s more in-tune with a reduced budget. Clients are are requiring or searching for agencies capable of providing campaigns that work harder and smarter.

In addition, advertisers (namely P&G and Coca Cola), have instituted Value Based Compensation (VBC)  arrangements made up of a pay-for-performance (P4P) layout that can be attained in addition to a base fee.

TV.PicThe Nielsen Company has just announced that a new software product, Rapid Campaign Evaluation (RCE), a fast and inexpensive means to review ad performance in just over a week. Due to the costs incurred when an ad or campaign is launched, RCE will give agencies information quickly so as to allow them to respond in an appropriate manner.

Richard Reeves, associate director of Consumer Research Services at the Nielsen Company, notes an agency not only will have the ability to evaluate their own endeavors but the ability to evaluate their competitor’s as well.

Whenever a new commercial is executed,” Reeves says, “there is always that element of anticipation about how it will perform in the ‘real world.’ If it’s a competitor’s ad — you are usually left worrying about the damage it will do to your brand.”

RCE was designed and tested in Australia to measure the strength (or weakness) of TV spots. How many people saw or heard the ads or whether the audience was able to determine the advertiser and the take-away message will provide advertisers with almost “real-time” data they can then use to readjust their tactics such as:

  • An ad that performed strongly may provide justification to increase spend.
  • An ad with mediocre results could be re-edited to clarify the brand message and increase brand cues, or it could be taken back into qualitative research for fine tuning.
  • An ad can be created or ad spend can be increased if RCE showed strong effectiveness measures for a competitor’s ad.

In just over a week, agencies will be able to view data in order to evaluate effectiveness or lack thereof, ensuring clients get the biggest bang for their buck.

While advertising “gurus” have bandied back and forth as to the fairness or plausibility of the VBC model, companies, such as Coca Cola, have already put it into action. In truth, it’s the most equitable payment arrangement; agencies require media vendors to prove their performance. Why shouldn’t clients require the same from their agencies?

Nielsen’s new software is just another step in the ongoing evolution of the industry.

Jeff Louis has over ten years of brand-building, media strategy, and new business experience. His passion is writing, while his strong suit seems to be sarcasm.  You can follow Jeff on Twitter or become a fan on Examiner.com.


Radio Advertising Still Annoying (and Dangerous?) as Ever

SirensThroughout life, people become programmed to react in certain ways to certain stimuli. Fire drills, car alarms, and air-raid sirens all mean imminent danger and usually make us spring into action. If you are like me, police sirens have a special place in your heart, and you have an uncanny ability to be the person singled out from a group of speeding cars, forced to begrudgingly hand over a license and registration. Anytime I hear a siren closing in, my heart jumps up into my throat and I take my attention off the road in front of me and start looking for those ominous flashing lights.

Just last week as I drove along on my way to a meeting, I heard a shrill siren that almost made me drive off the road into the storefront of a McDonalds. I strained to see a police car or ambulance through the rain, but there was none. The siren was from a commercial on the radio. This brought to mind an episode of Curb Your Enthusiasm in which Larry David takes a friend’s new car out for a spin and hears a loud car horn. Thinking the sound came from the driver behind him, he slams on the brakes and is rear-ended. The two drivers holler for a while, and then Larry realizes the car horn was actually from an AAMCO commercial on the radio. It was a funny moment in the show, but it probably really happens to some unlucky drivers.

Seriously, how is putting loud sirens and car honking in radio commercials even legal? Faux sirens or car horns can be extremely unsafe for those on the road, causing unnecessary distraction and serious accidents. Furthermore, scaring the crap out of potential customers is definitely not going to get a company more sales or positive brand recognition. With all the energy the FCC expends fining DJ’s for saying “butts” on the air, it’s surprising the FCC hasn’t focused on an issue that potentially puts people in actual danger while on the road.

Anna Vortmanis a marketing and advertising manager specializing in branding and new media. Contact her at avortman@gmail.com.


B-52’s, Headlights, or Jugs: Breast Cancer Org’s Target Men

rib1This post covers two of my favorite topics: Breasts and advertising. When they’re grouped together, it usually means a 30-minute Girls Gone Wild infomercial. However, this post actually covers a couple advertising efforts behind breast cancer awareness, which is nothing to joke about. While humor is used in writing, and can be seen in the TV spots, no disrespect, implied or otherwise, is intended. My prayers go out to all those who have been affected by breast cancer.

All men love breasts. Some love them secretly. Others wear t-shirts that shout out that they are “breast men.” Even men that don’t dig women are drawn to a woman’s chest…not sexually, but out of curiosity. (It’s a cruel society that labels a straight man as a stalker for staring at a woman’s assets for too long while a gay man has free reign to reach right out and grab a woman’s chest in public…)

Listaholic alphabetizes 138 different slang names for breasts, among them; whimwhams, muffins, kawangas, and dinglebobbers. Which proves that when men don’t understand something, they either rename it or make fun of it.

The truth of the matter is that we probably love breasts more than their owners;

We just don’t know why…

Which leads to an obvious question: Why haven’t men been involved in the fight against breast cancer from the beginning? Like a favorite bra, it’s a natural fit; breast-lovers attacking breast cancer. As you’ll read in a couple of seconds, a couple of organizations figured it out.

According to the World Health Organization, approximately 500,000 people die every year as a result of breast cancer. It ranks as the second most common form of cancer, and it’s the 5th highest cause of cancer deaths.

The push towards early detection and education of breast cancer began in earnest in 1982, following the death of Susan G. Komen. Susan was diagnosed with breast cancer in 1977 and died three years later. Susan’s younger sister, Nancy, was the impetus behind the push; keeping a promise to her sister, she founded The Susan G. Komen Breast Cancer Foundation with the belief that education, early detection, and research would have saved Susan.

Now known as Susan G. Komen for the Cure, or simply Komen, the foundation has raised over $1.3 billion dollars for cancer research since inception and is the largest cancer charity in the world. On the global level, Komen has but one mission: To end breast cancer forever.

Spurred by National Breast Cancer Awareness Month (October), two separate advertisers have launched PSAs that have expanded their target audience to include men, which is ingenious: Who thinks about breasts more than men?

Yoplait has just released, “Yoplait Pledge.” It makes fun of the fact that nicknames were given to breasts at some point (hmm).

The second awareness spot comes from ReThink Breast Cancer, a Toronto-based organization that addresses the breast cancer concerns of young people affected by the disease. Rethink is a volunteer organization that is “thinking differently” on methods to defeat breast cancer (like getting men involved). The spot (below) is airing in Canada on MTV, and the woman featured is an MTV Host.

It’s obvious that breasts get plenty of attention. It’s breast cancer that we need to focus on.

Jeff Louis: Media Planner, Brand Project Manager, blogger, and aspiring writer. Please leave a comment or follow him on Twitter. As always, thanks for reading.

Advertising and Football: A Perfect Match

new+nfl+logoFootball is here, the glorious season of games, players, stadiums, grill-outs, and beer. What many people don’t realize is that it’s also the beginning of the newest advertising campaigns. Yes, we all know that the Superbowl is a haven for new, witty commercials, but what about the rest of the season?

You may be surprised to know that many of the greatest commercial campaigns have been started during football games during the typical season, and for advertising companies, this is the perfect time to showcase their top A-game commercials (pun intended).

Football is something everyone watches, and it’s seen as a reason for everyone to get together. This makes it the perfect time not only to target an audience, but to also reach out to even more people that may not usually be interested in your product.

Take, for example, the coming of the Geico caveman. More than likely, this first commercial was aimed at men (hello, caveman?!), but because it was broadcast during football, female viewers also saw this commercial and found it funny. It was witty, unique, and most importantly, it started a conversation.

I know what you’re thinking – Wait, guys don’t watch commercials, they flip through channels on breaks – but hold on, they do watch commercials when they don’t want to miss those first few moments after the break when the game comes back on, especially if a call or penalty will be made. What better time to target that demographic?

Probably one of the most notable commercials broadcast during football season is Budweiser’s frogs. Remember? “Bud. Weis. Errrr.” An epic commercial. And because everyone watches, the campaign can then expand and become bigger, targeting those who didn’t catch the game or those who don’t watch football (weird, but true). There was a plethora of Budweiser frog commercials after that aired, it was so huge. It also prompted other talking animals – Quiero Taco Bell, anyone?

A few things to remember when airing or planning to air a commercial during football is this:

  1. Air the commercial during the first half of the game. Most of the time the games are good, but sometimes there are a bust after the first half and people stop watching.
  2. Time the commercial so that it is aired before football comes back on air, or directly after the game goes to a break. People are still watching at this point or are getting prepared to watch the game as it comes back on.
  3. Make the commercial witty, and most importantly, funny. Male brand advocates are made this way, because once they see a commercial they find hilarious, they’ll point it out to their friends or even mention it when it isn’t on (trust me, I’ve seen it happen).

Let me end this post with this one remark: plan a commercial or new campaign during football season, and it’s sure to be a touchdown (I didn’t say it wasn’t cheesy).


Got a Minute? Watch a Movie!

filmMinuteImagine telling an extremely intricate story in a few minutes, something like War and Peace (560,000 words, or approximately 1,400 pages in paperback). Better yet, condense the events of your Labor Day weekend into three tweets on Twitter (420 characters including spaces). Neither of these tasks seem plausible. What about telling an interesting, coherent and compelling story on film in exactly one minute?

The odds don’t sound any better, do they?

To the directors that compete in Filminute: The International One-Minute Film Festival, producing a film that is exactly 60-seconds long is an extraordinary challenge and opportunity to put their best creative, editing and storytelling skills to the test against a global talent pool.

Haven’t heard of it? That’s not too surprising considering that the festival is just eclipsing its third birthday. Although the festival is relatively young, the competition and notoriety have increased exponentially.

CallforentriesA jury (consisting of international superstars from film, art, communication, and literary disciplines) is given the responsibility of judging the entries and awarding The Best Filminute and five commendations. The People’s Choice Award is voted on by a global audience of film fans.

The Filminute festival was the inspiration of Canadian film-maker, John Ketchum, and is now considered one of the largest film festivals in the world when considering audience reach and participation. “We accept fiction, animation, documentary and fan films – the focus being on story,” explains Ketchum. “The best one-minute films will resonate beyond one minute. These are films that we expect to affect viewers the same way any great film would.”

Filmminute 2009 is set to run the entire month of September. If the competition evolves as expected, it will reach more than 94 countries and the Top 25 films will accrue at least 3 million minutes of viewing time.

The jury is required to grade each film using the same standards that would be expected for full-length films, which is a difficult task considering the Top 25 films can be viewed in under 15-minutes. Although this year’s competitors have been determined, 2010 is coming fast. Preparation is key, and judging by this year’s entries, there’s no such thing as “too much time”

Unless, of course, it’s 61-seconds.

Jeff Louis: Media Planner, Brand Project Manager, blogger, and aspiring writer. Please leave a comment, follow him on Twitter or check LinkedIn for his profile. As always, thanks for reading.

Infomercials: What They Can Teach Us

infomercialsI know there are not many people who would say they like watching infomercials, but we can learn plenty from them. Think about it: every time you hit a channel showing an infomercial, you stop, even for just a second, to watch. No matter what the product is, the commercial pulls you in.

Wikipedia defines infomercials as “long-format television commercials, typically five minutes or longer.” They also originated as an alternative to sign-offs on stations between two and six a.m. Now infomercials are broadcast throughout the day, targeting certain audiences for certain products.

The basics play an integral part in these commercials, things such as repeating the message or product name at least three times per commercial (think back to high school classes in which teachers taught through repetition). What else can we learn from infomercials?

  • Enthusiasm – This is what pulls you in. I’ve never seen someone get so excited about a cloth that can clean up spills. Think about emotions and how easily they rub off onto someone. Not only does enthusiasm make the person happy, but it also excites these consumers enough that they buy a product someone else seems to get so much joy out of.
  • Consumer advocates – Advocates have more power than most advertising companies give credit for. As I’ve noted before, Griffin Farley, from 22squared, puts it best when he says, “Don’t plan for the ones you reach, plan for the ones they [advocates] reach.”
  • Show them, don’t tell them – There’s always a lot of action in these commercials that grabs your attention. Showing a ton of pictures, before and after, gives the consumers something to compare and store in their minds.
  • Needs – These commercials directly target specific consumer needs. While most commercials already do so, infomercials have the broadcast time to really dig deep and get to the viewers’ desires (think about the weight loss commercials). They intertwine the message with what really matters to the audience.

Next time you’re channel surfing and come across an infomercial, take a second and really watch it. You may learn something.

Megan Green is a freelance propagation planner who has had her work published on PR News Wire, as well as many other outlets. Contact her on LinkedIn, Facebook, Twitter, or at megankategreen@gmail.com.

Have You Seen The Observer? FOX TV Takes Viral to New Leve

observerFox Television has taken viral marketing to a new level.  Everyone should take notice.  Spawning from the new hit series Fringe, Fox has launched an ad campaign unlike any seen before.  Rather than relying on the staple marketing ploys of late night talk show rounds, standard TV ads and review/word of mouth popularity, Fox unloads a strategy that is both in-your-face and yet somehow subtle.

Introducing The Observer.  This secondary yet mysterious character now conspicuously appears at a variety of Fox televised events ranging from American Idol to most recently the Major League Baseball All-Star game.  His striking appearance (bald head, no eyebrows, always clad in a suit) and expressionless gaze render him unmistakeably recognizable amongst hordes of otherwise regular-looking people.  The genius of it all?  He goes completely unmentioned by hosts/commentators and the like.  He’s not followed by a screen-length banner trumpeting the show and its airing day and time.  He’s not discussed or called attention to in any manner other than a brief camera shot (as depicted above).

It’s product placement in the most brilliant, subtle manner.  Even those who don’t watch the show can’t help but be struck by his sullen demeanor.  It’s a face that sticks with you.  And for those of us who are annoyed with the banners and obligatory, “Folks, tune into…” spiels interjected into other aspects of our entertainment diet, it serves as the perfect marketing tool.

I, and I imagine many others, now feel compelled to at least sit down for an episode of the show just to see what it’s all about.  All because of a four second clip of a supporting character from a brand new TV show.  Now that’s effective marketing.

Dan Davis is a Freelance Writer carving out his growing resume, specializing in copy writing, and subjects from sports to the arts.  Contact him on LinkedIn.


Yodle’s CEO Explains How to Kick Local A$$

YodleFor the first time in nearly a decade, online spending was reported to be 5% lower in Q1 of 2009 than Q1 of 2008. Although losses were not specified by category, it’s clear that online advertising is not recession-proof.

Yet, glimmers of success are still found among gloomy reports and forecasts.

Yodle, an online advertising provider that specializes on small businesses in local markets, has repeatedly shown dramatic increases in year-over-year revenue gains over the past two years.

How dramatic? Try a 300% increase from 2006 to 2007, and 700% from 2007 to 2008. The company started with just nine employees and now boasts over 250. Additionally, Yodle’s client list has jumped from 125 clients in 2006 to well over 5000 accounts managed in 2009.

What is Yodle’s business model for success? As luck would have it, I was able to ask Court Cunningham, CEO of Yodle, that exact question (among others).

Court Cunningham (CC): Yodle delivers the strongest return on marketing investment to the small business owner. In 2007, 50% of online users performed searches for local businesses. In 2008, 82% of online users searched locally. Yodle focuses on providing an avenue for small businesses to “get found.” We place our clients’ ads on larger sites, such as Google, Yahoo, and MSN, as well as 75 other top-performing local sites, providing small businesses the online accessibility of a larger company.

Beyond Madison Avenue (BMA): When you say “small” business, what size company are you talking about?

CC: A law firm with 100 employees can be considered a small business… but Yodle’s main focus is on businesses with ten or fewer employees. We are targeting the “S” of SMB. Small business owners realize that they need to be online now more than ever, and Yodle can get them there.

BMA: What does Yodle offer a small business that the online Yellow Pages or a local portal does not?

CC: The greatest benefit Yodle provides is more leads and a lower cost-per lead. Second, we accommodate small business owners by getting them online in an effortless (on their part) manner. If a business owner needs help developing a web site, we offer those services. Finally, Yodle provides full transparency and accountability. We supply clients with an online dashboard that records the number of clicks and calls from their ads. This allows them to record the clicks or calls that turn into qualified leads or sales versus those that did not go anywhere.

BMA: Do you focus on certain types of businesses?

CC: Businesses that benefit the most from Yodle are those in which the product or service has a high value. We cater to plumbers, electricians, cleaning services, locksmiths, personal trainers, contractors, construction companies, etc.

BMA: Do you advertise national companies on a local level?

CC: We do have clients that are national franchises, such as ServiceMaster, that advertise their services locally. But, the majority of our clients are small business owners. Yodle has a unique solution for national franchise companies that allows them to manage local ad dollars and national coop dollars through one easy to use product.

BMA: Currently, Yodle is in the Top 40 DMAs (markets). What are your expansion plans? Are you going to increase the number of markets that Yodle covers?

CC: No, our plans for growth are vertical, which will enable us to provide greater depth per market. We’ll also be rolling out new products in the near future that will be beneficial for our clients.

BMA: Would you say that your greatest competitors are Yelp and other “like-minded” sites?

CC: Not really. We use Yelp and City Search to display our client’s ads. Our biggest competitors would be other sites like ours, and the Yellow Pages.

BMA: Please reiterate Yodle’s advantage over these sites…

CC: Yodle will provide small businesses with a high volume of quality leads, complete service and transparency, and higher ROIs than advertising currently being used.

Yodel-ogoYodle is yet another example of a company that thinks progressively and has the ability to succeed while others remain stagnant. Now is the perfect time for small business owners to take advantage of online advertising opportunities to increase their advantage over competitors. Yodle provides local businesses with a simple and affordable way to get new customers and phone calls while establishing an online presence. Click here to find out more about services offered by Yodle, as well as its clients’ success stories.

Jeff Louis: Strategic Media Planner, Project Manager, and New Business Account Coordinator. His passion is writing. Reach out to him on either linkedin.com or twitter.com.


Burger King’s Ad Campaign: Ignorant

Burger KingAnother faux pas from the now controversial brand, Burger King. This time, instead of offending an entire country, it went after an entire religion. Burger King’s latest ad release includes the Hindu Goddess Lakshmi sitting in front of the new “Texican Whopper.” The tagline is ‘La merienda es sagrada’ – the snack is sacred.

It seems as though Burger King has taken the “even-negative-press-is-still-press” approach to its advertising strategy because, as Ad Age eloquently explained, “…It’s easy to assume that it was planned: Particularly “edgy” work is sent abroad with the expectation that it will soon reverberate on American soil, accompanied by lots and lots of news coverage.”

Ad Age goes on to discuss ad agency involvement and the debate of who did what and who’s affiliated with which campaign, but quite frankly, I think that all are responsible. Whether or not Crispin was involved overseas or another small agency was contracted by the franchise, the point is that the entire brand suffers. Truly. It’s clear that Burger King has lost control of its brand to a point that it’s now globally hurting consumer loyalty. That, or Burger King has the absolute worst brand positioning plan.

The ads were created in an attempt to increase sales. As CNNMoney reported, an increase in sales does not mean an increase in profit. So, what logic is there in creating campaigns that will discourage buyers faith in the brand by offending them? The fact of the matter is that as a straggling brand attempting to follow in the shadows of the golden arches, you DON’T TOUCH RELIGION. Anyone heard from Mel Gibson lately? You’re not just offending that religion, you’re offending anyone who believes in religious respect.

What should we expect in the next ad, Burger King, swastika fries?

Rena Prizant is a Copywriter, Ad Creative and mammal in the Chicago area. Visit www.RenaPrizant.com or @WriteLeft.


Below The Radar: Active International

Active InternationalWhat do you call a company with agency capabilities that is not an agency, but only offers “agency services” as part of a whole range of other services? Enter Active International, a “Corporate Trading Company.” If your company happens to be within the Forbes Top 1000, you may know it by name.

Not me. While talking to them on the phone, I felt like a complete idiot. Active International has made significant media buys, ranking them with, or close to, the top media spenders in the industry. Not only did I not know what it is, I had not the slightest bit of familiarity with its business model.

So, feeling like a dolt, and yearning to find out how uninformed I was compared to my peers, I sent e-mails out to a number of my contacts to see if they had heard of Active International. Out of twenty, sixteen came back negative. The last four did not reply. Feeling a bit better about myself, I started to do a little research that led to my understanding.

Active International functions as a corporate trading partner. Corporate trade is loosely based on the concept of barter, exchanging one commodity for another much needed commodity. Barter sounds relatively archaic; something used in feudal economies. Corporate trade, however, is commonly used in many companies among the Fortune 1000.

EXAMPLE

42-17073705Megalithic Foods has a line of products that is doing very well in the market. However, its Rhino Buddy Crackers, in production for the last two years, isn’t very popular and the factory has been operating poorly. Thus, Megalithic plans to shut down the factory and take a loss. At this point, Active International enters and assesses the situation. It looks at the distressed assets (the factory and remaining inventory) and determines if there is a potential for redistribution. Let’s say that in this case, the potential exists, and Active makes an offer to Megalithic Foods to take the factory and the inventory.

If the offer is approved by both parties, the deal is finalized and Active acquires the distressed inventory. In Megalithic’s accounting books, the income is listed as a “trade credit” to be used as needed. After employee wages and benefits are paid, the next largest expenses for corporations are advertising and promotion. Megalithic decides to pump up its ad expenditures via the trade credits. Luckily for Megalithic, Active International has an elite team of media professionals available to easily implement a large-scale media buy.

How large? Past transactions show that Active International has placed spots in high profile shows and special events such as the Super Bowl. Although it continues to acquire assets, it has evolved into a diversified marketing and business solutions provider.

Active International is not only able to provide its clients with a solution to a problem, but it is also available to reinvest those trade credits where the client needs the most help, including media, supply chain, storage, etc. This is a fantastic example of a company that has based itself in solutions, and not problems. Foresight and progressive thinking enable them to provide clients with services an agency cannot: fulfilling one goal while eradicating another.

If you’d like to find out more, there are websites available that will provide basic information, such as Corporate Trading Tips. Adweek also ran an article regarding corporate trade that can be found online in its December issue, called “Tricks of the Trade.

Or, contact Active International directly via its contact page.

Jeff Louis: Strategic Media Planner, Project Manager, and New Business Account Coordinator. His passion is writing. Reach out and touch him: www.linkedin.com or www.twitter.com.


Branding Conversation: Go Ahead and Butt In

Getting in the middle of a conversation that’s already going on, versus creating a conversation and asking consumers to come in is the key to effective advertising.

Doing the latter is as silly as the following conversation:

Person 1: Hey, did you hear about Michael Jackson?

Person 2: Yeah, I loved him. I already miss him!

Brand: Hey, you over there! Did you know most of insecticides have nerve poison that causes a cockroach to have muscular spasms that make it flip on its back? Without muscular coordination the cockroach cannot right itself and eventually dies in its upside down-position. Wanna buy some bug spray?

Irrelevant.

But take interactive shop Deca (Digital Entertainment Corp. of America) for example, which inked a sponsorship deal with Target for its Momversation show (above). This content is uniquely relevant to the target audience that the brand fits comfortably into. Plus, it utilizes bloggers that already have influence within market.

Now that’s relevant!

What conversation can your brand butt into today?

Jinean Robinson is a CCIO (Chief Creative Infections Officer) in this industry for 8+ years, specializing in creative strategy and implementation, 360 branding, and brand development. Join her @twitter or her firm Germ, LLC.


Large Breasted Women: Sleep Well Tonight

And now, from the lighter side of advertising…
TheKush
Kush Support is a company that manufactures and markets what they call “breast supports.” These are not your surgically prepped and sterile packets of silicone or saline installed at the local cosmetic body shop. Nor are they fitted items of clothing meant to hold everything in place during duress.

No, the supports were developed to help women pregnant women, women with implants or large breasts, and women with wrinkles in the bust area get a full night’s rest. The inspiration behind the Kush came when founder, Cathinka Chandler,

“began to notice the appearance of wrinkles in my cleavage area. No matter how much I used creams or exercised, the creases didn’t go away.”

I think for most, that would be called “aging.”

Made out of lightweight plastic with a slip-resistant outer layer, Kush is inserted between the breasts to maintain a shape that is “more natural” for women that sleep on their side. Unfortunately for the Kush, the supports are fairly suggestive in appearance…and the ads depict smiling women with phallic shaped objects stuffed in their nightgowns, just smiling away. To make matters worse, a “small” Kush (only for nursing, pregnant, or women with implants) starts out at $55.00!

Of course, this story could not be totally complete without a goofy tagline: Kush Support – A Natural Rest for the Breast. At this point, it is up to the ladies suffering from this silent epidemic: Is the Kush a “bust-saver,” or just plain busty…busted?

Jeff Louis: Strategic Media Planner, Project Manager, and New Business Account Coordinator. His passion is writing. Reach out and touch him: www.linkedin.com or www.twitter.com.


Microsoft Spots? So-So. Feeding the Hungry? Bravo!

Microsoft launched two “Hulu-esque” online TV spots this week ie8logothat star Dean Cain, the actor known as Superman from the TV series “Lois & Clark.” The spots are a bit surreal, much like the Hulu commercials that have were released earlier this year. The two spots, named F.O.M.S. (Fear Of Missing Something) and S.H.Y.N.E.S.S. (Sharing Heavily Yet Not Enough Sharing Still), are in support of Internet Explorer 8 (IE8), released in its final version on March 19th of 2009.

It’s unclear if Microsoft is experiencing low download rates for IE8, or are simply running the spots to support the new software in a more competitive environment. The IE8 browser is chock-full-o-features that include new malware protection, a discrete browsing mode (for those that need to hide their searches) and greater tab control. One of the best features is that when the browser crashes, it only restarts that particular tab, leaving the rest of the tabs operating normally. However, there are problems with IE8, such as it has to run in “compatibility mode” to read a majority of websites, and it is not as fast as the sparsely-featured Google Chrome browser.

The ads do nothing to dispel these irregularities, and instead are somewhat humorous takes on personal browsing habits. Both of the spots are featured on YouTube, as well as below. F.O.M.S features a woman frantic over missing a bid on EBay, while S.H.Y.N.E.S.S. enables people that send crap over the internet to send it faster using one of IE8’s accelerators. (great…)

The campaign, if it can be called such, is masquerading as a set of PSAs that are promoting BrowserfortheBetter.com, which is a landing page devoted to the new browsers. What’s great about downloading IE8 from this page is that for every download, Microsoft will donate eight meals to Feeding America, the nation’s leading domestic hunger-relief charity.

feeding-america1Whether a humanitarian effort or a sales ploy to get the browsers downloaded, the result is the same: food for the hungry. And for this, Microsoft deserves recognition.

Jeff Louis: Strategic Media Planner, Project Manager, and New Business Coordinator. His passion is writing, contributing to BMA as well as freelancing. He’d love to hear from you, so leave a comment or follow the links:linkedin.com or twitter.com.

A Designer, Some Bags, and Fantastic Advertising

One of major benefits of working in the ad industry is witnessing creative campaigns and innovative ideas come to fruition. Once the hard work has been completed and the hours tallied up, there’s not much to do but wait and see if the strategy pays off. When it does, the best reward is knowing that the strategy was solid, the tactics were on-target, and the execution was flawless.
nasvikbag2

In pursuit of this excellence, more posts will be dedicated to the agencies and clients that aren’t talking, but listening. Companies that realize “yesterdays” are the past, and longingly look toward tomorrow, in search of the next coup.

Enter Rachel Nasvik, a New York City designer famous for chic, custom-made handbags. In early June, 2009, Ms. Nasvik began placing 96 of her designer bags around New York City, while simultaneously kicking off a social media campaign to deliver helpful clues regarding each bag’s location. Call it a giant scavenger hunt. The clues are dispersed regularly via her Twitter page, along with follow-up content on her blog, Where The Night Takes You. The hand-printed, “Alice Bond” bags have shown up in coffee shops, the White Horse Tavern, Marlow & Sons, Prime Meats, and other hotspots in the city, along with a simple note: “please take me, I’m yours!” to those lucky enough to uncover their “secret” locations. nasviktwitterpage

One simple, but brilliant idea, flawlessly executed, and thus far, effective. Combining the consumer’s desire for “free” with Twitter-to-Win clues, the campaign has generated buzz and a serious Twitter following, generating nearly a thousand faithful followers in eight days. The story has been picked up by Creativity, numerous blogs, and is receiving its fair share of Word-of-Mouth.

Just as the shoes do not make the man, the bag doesn’t make the woman. It’s her marketing strategy.

Jeff Louis: Strategic Media Planner, Project Manager, and New Business Account Coordinator. His passion is writing. If you would like to get in touch with Jeff, please leave a reply or follow the links: www.linkedin.com or www.twitter.com.

Boone Oakley Advertising: Creativity Isn’t Words. It’s Action.

I’ve written a couple times on Beyond Madison Avenue about the difference between agencies that talked about being creative, or social, or cutting edge, and then comparing them with those that actually were.
There are certain errors that will keep me from visiting your site, your blog, or your agency ever again.

  • Number One: You state that you’re a large creative muckity-muck. I go to your site, and it is under construction. Nothing works.
  • Number Two: Misspellings. One every once in a while is tolerable. One on your homepage, in an ad, or on your resume is where we part ways.
  • Number Three: Professing your prowess in a certain medium, client category, or emerging media, and then not being able to back the statement up with verifiable proof. Don’t say that your agency excels in social media if you don’t have a blog, a Twitter account, or even a Facebook page.

One of the agencies I wrote about was Lisa P. Maxwell. They claim to know social media. Then they prove it by having live webcams showcasing all of their employees working. Check it out at lisapmaxwell.com. lisapmaxwell

This weeks award goes to Boone Oakley. Although they sound like a cheap wine, they have the creative juice that most marketing directors wish they could tap as their own. Boone Oakley has their entire agency, including creative, produced as a series of YouTube videos. The best thing about their YouTube “website?” Functionality. Click on the link for collateral work, you are whisked to another video showcasing their collateral work.

Thus, there are a series of several videos, and I watched every single one. In one fell stroke, they’ve not only debuted their agency (as well as taken some well-deserved shots at big agencies) but they have creatively shown their creativity. Don’t tell me how many awards you have or that your agency was voted “Most Creative” in 2006. Show me how that spirit is lives and works today. Below is the first video along with one of the the linked videos.

This is one of the videos that is available under “Work by Medium.”

Jeff Louis: Strategic Media Planner, Project Manager, and New Business Account Coordinator. His passion is writing. If you would like to get in touch with Jeff, leave a reply or follow the links: www.linkedin.com or www.twitter.com.

“G” Thing vs. EA Sports: Integrated Branding

 

nba finalsI couldn’t help but to express my utter annoyance of brands that put all their hard earned money into sponsorship options without that sponsorship/product placement being truly relavent. 

Key example: Watching the NBA Finals you have Gatorade’s “G-thing” plastered all over the bottom of the screen and courtside. I wonder, how much did they pay for that lil’ splish splash?

What was there? Oh, just the logo no deeper relavance to the finals than that. Yeah, yeah, I know your saying well Gatorade’s a “sports” drink and it’s a “sports” playoff, it should be there. I totally agree but that’s Marketing 101, it’s time for brands to go deeper. 

Like EA Sports for instance is present during these same finals but they integrated their brand in a smooth, non-”G”akward way. The commentator was placed virtually onto a court while a computer EA Sports generated Kobe Bryant was playing against commentator as he shows how to play defense against Kobe , gives pointers, things to watch for, etc–all in this virtual world–NOW THAT’S WHAT I’M TALKIN’ BOUT!!! Woohooo imagine that, complete relevance, showing the brand goods, and not pandering to me–it’s no dream world, that’s real branding baby! 

This is the way to integrate brands beyond the mind numbing (in frankenstein voice) “we will repeat…repeat…repeat…repeat…and you will buy…buy…buy !”

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Jinean Robinson is a CCIO (Chief Creative Infections Officer) who has been in the communications industry for over 8 years, specializing in creative strategy and implementation, 360 branding communications, and brand development. Join her at http://twitter.com/germllc or her firm’s website at http://germonline.com/


AIDS Rate In DC Rises, Campaign Begins

ahf-logoLike or dislike President Obama, there is one thing certain: His plate is FULL. Dealing with two wars, Gitmo, health care reform, a recession, and the largest corporations in the US filing for bankruptcy on a weekly basis, it is doubtful that the President will notice another crisis until it hits him in the face.

The Aids Healthcare Foundation (AHF) will launch a public service campaign this week comparing the extremely high rate of AIDS in Washington, DC, with the devastation caused by Hurricane Katrina. The number of cases from last year to this have increased by 40%, a fact that has not been addressed by the media or the government. The AHF has used a series of print ads, a 30-second television spot, bus kiosk ads, and a website, ChangeAidsObama.org as part of the month-long campaign. Sixty bus shelters are slated for the new effort.

The campaign, “AIDS is DC’s Katrina,” points out the Bush administrations seeming indifference to Hurricane Katrina was detrimental to his Presidency. When the news broke that Washington, DC’s aids rate was higher than that of developing African nations, the AHS criticized President Obama for his silence. This campaign is meant to push him into action. The AHF is not placing the blame on the Obama administration, but rather the Center for Disease Control (CDC) for implementing a plan three years ago to prevent the spread of AIDS that has failed miserably as the epidemic has worsened.

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The PR Newswire issued a release today from the AHS with the criticism;

To address the growing epidemic, the CDC issued revised guidelines for HIV testing in September of 2006. It its revised guidelines, the CDC recommended the testing of all people ages 13-64 in routine health care settings such as emergency units, community clinics, etc.; unfortunately, nearly three years later, these testing guidelines have not been widely implemented nationwide at the same time when our rate of new HIV infections has increased 40% from 40,000 new infections annually to 56,000.

The video, seen below, is already on YouTube and is going to be released on other online video channels before hitting the airwaves.

One thing is certain: Pleasing all the people all the time is impossible. For the President, pleasing anyone at this point seems like unlikely.

Jeff Louis: Strategic Media Planner, Project Manager, and New Business Account Coordinator. His passion is writing. If you would like to get in touch with Jeff, please leave a reply or follow the links: www.linkedin.com or www.twitter.com.

This Recession Will End.

nortonhd_cincinnati_recession101_future There are some pretty unbelievable resources available online at no cost. Everything from whitepapers to completed slide shows, covering any topic imaginable. Some of the better ones are put out by professional groups in support of advertising agencies and efforts. These include the Advertising Media Internet Center (AMIC), the 4A’s, and the Outdoor Advertising Association of America.nortonhd_cincinnati_recession101_talentThese organizations also fund and run many of the Public Service Announcements.

On May 5th, the OAAA’s public service campaign was a shot in the arm to all worrying where the next paycheck will be coming from, or if there is a next paycheck. Named Recession 101, the billboard campaign is simple, as if printed on a piece of notebook paper and tacked to a 14′ x 48′ out on the highway. The messaging consists of a simple reminder: some day, the recession will end.

It is not the greatest, most creative campaign ever done, but it is timely and truthful. Look on it as a shot in the arm to keep away all of nortonhd_cincinnati_recession101_talentthe bad stuff coming from television. The great driving force behind it is the idea of looking up during adversity rather than down. Moving forward instead of complaining. In an apt message, the OAAA states:

The campaign is about America and resiliency. The recession has hurt one of America’s greatest attributes-it’s unshakeable optimism…Recession 101 isn’t selling anything other than the American Spirit.”

And it’s about time we returned to the American spirit and optimism. The entire campaign is available here.

Jeff Louis: Strategic Media Planner, Project Manager, and New Business Coordinator. His passion is writing, contributing to BMA as well as freelancing. He’d love to hear from you, so leave a comment or follow the links: linkedin.com or twitter.com.

Twitter To TV?

Twitter is proposing a TV competition series depending on your source.twitterlogo21

The social-networking service said Monday it has teamed with Reveille productions and Brillstein Entertainment
Partners to develop an unscripted series based on the site, which invites 140-character postings from members around the world. The show would harness Twitter to put players on the trail of celebrities in an interactive, competitive format.

The only problem with this proposal is that the show would get phenomenal ratings and people would love it, but only for a while. Twitter will not only be our “amazing” communication forum, but our favorite reality TV show, too! To me, it sounds like a bad idea, if not a boring one.

However, Reveille has an impressive stable of shows, so “Twube” (I made that up) might be a hit. The producers have brought us “The Office”, “Ugly Betty” and “The Tudors” (Showtime), plus reality program “The Biggest Loser.” Supporters state that the series will show the TV-viewing world the immediacy of Twitter. And Brillstein Entertainment is no slacker either.

“Twitter is transforming the way people communicate, especially celebrities and their fans,” said Reveille managing director Howard T. Owens, who expects the new project to “unlock Twitter’s potential on TV.”

twitter-logoWhen I have tried to talk to a celeb, they never answer. I’ve even “befriended” LiLo like four times! I don’t want to be thesonymultisystemplasma42v11
bearer of bad news, but when Ashton Kutcher found out about the proposed project, he was not happy. In fact, he was Punk’d! Mashable reported that Ashton tweeted,” Wow I hope this isn’t true. I really don’t like being sold out. May have to take a twitter hiatus.” Was that a threat?

Ashton, however, does not have to worry. Twitter denied everything regarding a “Twittervision” spectacular.

Now, on the really down side: It does not make sense for Twitter to have a TV show. Either they become a mode of communication, or stay a novelty; and I LIKE Twitter. I just wonder when we’ll start seeing consortiums for 169 characters because some one figured out that this was the optimal number. I don’t know if you use Twitter a lot, but I use it daily, but mainly for picking up information: It is not only a good learning and news tool, but it can be funny as well. Maybe it’s just me, but the conversations that I have had on the almighty Twitter have been, well, trite and quick. Some people never respond when you answer their question, and others are 2 – 3 Tweets and out.

I have, however, picked up freelance work via Twitter while TV has only provided me with poor eyesight.

Jeff Louis: Strategic Media Planner, Project Manager, and New Business Account Coordinator. His passion is writing. If you would like to get in touch with Jeff, please leave a reply or follow the links: www.linkedin.com or www.twitter.com.


Careerbuilder Surprises “AdLand”

First, Current TV put it’s RFP out to everyone on Twitter. Now, CareerBuilder (CB), a company with no less than five Super Bowl ad appearances, has dumped its agency and gone “public.”

Wieden-Kennedy, CB’s most recent agency, did not lose the account to another agency, but to the general public. CB is asking for the creative 25-second spots via a promotional drive that will be on their website. The winning spot will air in the upcoming Super Bowl (February of 2010). cb-promo-ad

“For a brand like CareerBuilder, which is about helping people get to their next great position, this made sense for us, and with the situation [the country is] in economically,” says Richard Castellini, the company’s chief marketing officer.

CareerBuilder, like any company that chargers employers to advertise job postings, has lost money during the tough economic climate, reporting a 27% revenue loss during Q1 2009. By removing their agency, CB will save about 20% in annual marketing costs.

However, the gambit comes with risks. Although Frito Lay’s recent Super Bowl spot contest was won by two brothers over several highly creative shops, one spot certainly does not an advertising strategy make. In the short-term, though, CareerBuilder is most likely looking for a few good advertisers…

Jeff Louis: Strategic Media Planner, Project Manager, and New Business Coordinator. His passion is writing, contributing to BMA as well as freelancing. He’d love to hear from you: linkedin.com or twitter.com.