New Organic Life Mist Gets Musical Boost from Art Rock Outfit, YACHT

Product launches are such difficult affairs. When the new product is Kibu — One for All Life Mist (which SOLD OUT within seconds of being introduced this week) the process is even harder. Nevertheless, YACHT makes it look easy. Typically, a rock band uses their music video to “sell” their song. Placing an actual product […]

The post New Organic Life Mist Gets Musical Boost from Art Rock Outfit, YACHT appeared first on Adpulp.

Define Drivers: Keys To A New Caddy; A Bespoke Chocolate Egg; Dinner at La Banane

Cadillac Canada has partnered with renowned Toronto chocolate maker Brandon Olsen on a direct mail campaign that puts a decadent twist on the standard test drive invitation. Working with its lead agency Red Lion, the automaker tucked away keys to new Cadillac CT6s inside the hugely popular “Ziggy Stardust Disco Egg” from Olsen’s trendy Toronto […]

The post Define Drivers: Keys To A New Caddy; A Bespoke Chocolate Egg; Dinner at La Banane appeared first on Adpulp.

Here's What the Bible Would Look Like Full of Product Placements

Advertising veterans George Logothetis and Graham Clifford are celebrating Easter in a bit of a blasphemous way this year by unveiling The Product Placement Bible—a tongue-in-cheek (or at least turn-the-other-cheek) website that imagines verses of scripture sponsored by some of the world’s top marketers.

Placing products into TV shows and movies is commonplace. This satirical project takes the concept to its logical extreme by inserting marketing messages, logos and products into the most popular and widely read publications ever written, not counting the Ikea catalog.

The results are amusing—and Logothetis, a copywriter, and Clifford, a designer, hope you aren’t offended.

“It’s a not-so-subtle reminder for us to preserve our most sacred institutions,” they said in a statement. “There’s a time and a place for marketing messages, and it shouldn’t be in our most revered work of scripture. We came up with this far-fetched idea, sensed its potential as a content platform, and simply followed it to its logical conclusion. We mean no harm to anyone and want people to know that this is nothing more than a parody intended to be laugh out loud entertainment. And, of course, serve as a cautionary tale.”

Check out more examples below.



7 Memorable Moments in the Dubious History of Product Placement

Remember when you had to wait until the commercial break to be bombarded with brand marketing? Probably not, since product placement has been a Hollywood addiction since the 1980s.

Ever since Steven Spielberg featured Reese’s Pieces in 1982’s E.T. (after being turned down by short-sighted M&M reps), brands and content creators have embraced product placement as a sort of commercial symbiosis.

This Wednesday, we’ll be tackling the issue of product placement at #adweekchat, a one-hour Twitter conversation open to all. Join us at 2 p.m. Eastern for a lively discussion of the best, worst and weirdest examples of product placement in TV, movies and video.

In the meantime, enjoy revisiting a few of the more iconic moments of product integration (some paid, some not) that have helped to shape how writers and producers weave brands into their storylines—with mixed results:

 
Superman vs. Zod vs. Marlboro vs. Coca-Cola (1980)

And don’t forget the KFC box on the dashboard. This classic scene set the stage for 2013’s Man of Steel, which reaped an astounding $160 million from promotional tie-ins with brands like Sears and Warby Parker.

 
Wayne’s World Makes Pepsi, Reebok and Pizza Hut Part of the Gag (1992)

Looking back on this classic scene, my favorite part is that Rob Lowe never joins them in breaking the fourth wall. He seems earnestly baffled about why these two public-access TV schmucks are so into Pizza Hut and Nuprin.

 
Get Shorty’s ‘Cadillac of Minivans’ Is Actually an Oldsmobile (1995)

At the very least, you have to appreciate the John Travolta comedy’s commitment to making an awkward product placement (the Oldsmobile Silhouette) into a recurring gag. It popped up throughout the movie as character Chili Palmer’s signature coolness rubbed off on the ride. The original Swagger Wagon, you might say.

 
30 Rock Brings Back the Meta Humor for Snapple (2006)

This is my favorite product placement in TV history, and I hate Snapple. So much for my chances with Cerie (whose last name, by the way, is Xerox for reasons that are never explained in the show). In addition to the TGS Show’s love of Snapple, Liz Lemon also helped us see the magical splendor of products like Verizon Wireless phones.

 
Talladega Nights Really Loves Applebee’s, Except for the Rats in the Cobb Salad (2006)

You can almost hear the awkward conversation as the producer had to tell Applebee’s exactly how this lengthy, seemingly glowing scene set in the restaurant was going to play out. Hat tip to Adweek Twitter follower Heather Taylor for the reminder on that one. 

 
Frank Underwood Loves That PlayStation Vita (2013)

Many viewers were bemused by the House of Cards anti-hero’s obsession with the PlayStation 3 and the (rarely seen on Capitol Hill) portable PS Vita. Of course, many brands make recurring cameos on House of Cards. Check out this slideshow of appearances by Apple (oh so much Apple), Blackberry, Canon and more:

The Netflix show’s creators claim they don’t receive financial compensation for product placements, which are provided gratis by the brands. Discussing the PlayStation Vita mention, episode director James Foley told The Guardian, “If we use real products like people do in real life, somehow that’s perceived as being forced-in product placement when it’s just recording reality.”

 
Hawaii 5-0 Really, Really, Really Loves Subway (2012)

This is the Citizen Kane of product placements, an achievement so gratuitous you almost have to admire it. Although I’m really not sure it makes me want a sub, much less five.

What are some of your favorites? Don’t forget to join us on Twitter at 2 p.m. ET on Wednesday, Aug. 13, for a whole hour of #adweekchat dedicated to product placement.



Advertising: Selfies, Pizza and Promoting Brands at the Oscars

Ellen DeGeneres used a Samsung phone, an Oscar sponsor, for a star-studded selfie, but an iPhone to post from backstage. And that Coca-Cola emblazoned pizza delivery box rankled PepsiCo.

    



Advertising: To Put Puerto Rico Onscreen, the Right Brands

The film “200 Cartas” (“200 Letters”) was financed in part through a careful collection of brand partnerships that will continue during its publicity campaign.

    

Varejista aposta em videogame para atrair meninas

Muito se discute sobre o que realmente é uma nova mídia e quais seus potenciais no universo do marketing e da publicidade.

Os games, por exemplo, sustentam ações e promoções de marcas das mais distintas categorias, há muitos anos.

Inclusive fiz um post comentando sobre os advergames mais antigos do mundo. E teve cada surpresa.

Mas isso não quer dizer que a plataforma tenha sido desgastada. Pelo contrário. O avanço das tecnologias e da tamanha realidade provida pelos novos games, trouxeram outras possibilidades de entreter o público-alvo.

Direcionada a um público de adolescentes do público feminino, a varejista internacional Claire’s, presente em vários países do mundo (ainda não chegou no Brasil), fechou recentemente uma parceria com a Electronic Arts (EA) e lançaram juntas uma nova série de videogame para Nintendo DS e Wii: “Charm Girls Club, My Fashion Mall“.

A parceria concedeu a Claire’s intervenções no game com lojas próprias onde as usuárias podem comprar virtualmente suas jóias e acessórios de baixo custo.

Com uma parceria como esta, ambas as marcas (EA e Claire’s) saem ganhando.

Em primeiro lugar, a parceria ajuda a aumentar a percepção da EA entre as meninas. E no caso da Claire’s, há um reforço na sua imagem de marca jovem, divertida e inovadora. Então, ponto para as duas!

Protótipo da Renault no The Sims 3

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A Renault criou uma curiosa parceria com a Electronic Arts para promover o seu carro-conceito Twizy Z.E. no novo The Sims 3. O carrinho, que esteve presente no último Salão de Frankfurt, em setembro passado, pode ser baixado gratuitamente.

O Twizy vem com um pacote (Electric Vehicle Pack), que inclui também outros itens ligados à sustentabilidade, como painéis solares e cata-ventos, para captar energia eólica. O uso dos itens irá repercutir positivamente na vida virtual dos jogadores, que economizarão em contas.

Para tornar o público eco-consciente desde cedo, nada melhor do que utilizar os ambientes onde se encontram crianças e jovens, para comunicar, mesmo que sutilmente, sobre a importância dos novos hábitos.

Via Kotaku

Mais Product Placement no Farmville

farmvillenuts.jpgA Saatchi Interactive de Tel Aviv, Israel, está trabalhando na campanha de lançamento da Elite Taami Nutz, uma variante de barras de chocolate com recheio de amendoim.

Sua estratégia chave vai ser utilizar um dos games sociais mais populares do planeta, o Farmville, dando aos usuários a chance de cultivar e comercializar amendoins.

Mas, espera um pouco! O que uma marca extremamente regional quer com uma rede social global, como o Farmville, que tem mais de 80 milhões de usuários oriundos dos quatro cantos do mundo? Muito diferente disso aqui, né não?

Via Farmville Freak

Ford faz parceria com série americana para promover Taurus e Sync através de game interativo

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Para apresentar seu Taurus 2010, a Ford dos Estados Unidos deu o play em uma ação de marketing impecável. Apostando inicialmente em duas plataformas integradas (internet e product placement), a montadora foi feliz em sua parceria.

Um game online interativo, baseado na série “White Collar“, da emissora parceira USA Networks, coloca o usuário como protagonista ao lado de um luxuosíssimo Ford Taurus e todos os seus modernos aparatos tecnológicos, como o recém lançado sistema digital de comunicação e entretenimento, Sync.

No game (hospedado no domínio da própria emissora) o jogador é um aprendiz do FBI enviado em uma missão para seguir um criminoso de alta periculosidade. O game “Chasing the Shadow” segue a risca os detalhes da série “White Collars“.

Enquanto conduz o Taurus, o jogador pode utilizar recursos da tecnologia Sync (receber mensagens de texto, mensagens de voz, fazer chamadas e obter pistas). Aproveitando a campanha do novo Taurus, a Ford ganha mais pontos por apoiar a divulgação do Sync.

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:: Com fonte do MediaPost

The Possibility Shop

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Ontem comentei sobre a tarefa do Branded Content. Depois de entender um pouco melhor sobre a sua importância, podemos conhecer mais um bom exemplo. E que tal o The Possibility Shop?! Este é o nome dado a websérie criada para a Disney e patrocinada pela Clorox.

A produção da série ficou por conta da Jim Henson Co., criadora do clássico Sesame Street, e é hospedada na página da Disney.com. A Clorox, marca de produtos de limpeza e patrocinadora do The Possibility Shop, aparece sutilmente em áreas reservadas a publicidade e em espaços onde não há uma interferência durante os episódios. A intenção da marca de produtos de limpeza é atingir de forma pertinente as mães, uma das principais “webespectadoras” da série.

:: Dica da Selulloid AG

Ford investe em websérie no portal Hulu

O verão do hemisfério norte será o cenário especial em que a Ford promete comercializar o novo Fiesta nos Estados Unidos, mas sem antes colocar um ponto final em todo o seu ousado plano de comunicação, que já dura vários meses, com iniciativas por toda a internet e mídias sociais.
O próximo passo será em torno de um projeto de product placement, colocando o carro no roteiro da websérie “If I Can Dream“, baseada na história de um grupo de cinco pessoas que lutam por um espaço na indústria do entretenimento, em Los Angeles.
Com veiculações no site e no portal de vídeos hulu.com, a websérie está prevista para começar em fevereiro. Até lá, a Ford e a produtora da série, a mesma de “American Idol”, negociam os detalhes da participação deste importante personagem na aguardada websérie, “If I Can Dream“.

:: Via MediaPost

BlackBerry é a nova obsessão de Larry David

No episódio da semana passada de Curb Your Enthusiasm, da HBO americana, o cômico Larry David se mostrou obcecado por seu BlackBerry Bold.

Em meio a um dilema, Larry estava na praia e não sabia se salvava a vida de uma garota ou protegia seu celular do sol. Irritada com Larry por ele não ter cumprido a promessa de ficar de olho em sua filha, a esposa de seu amigo e mãe da garota, atira o BlackBerry do Larry na água, deixando ele inconformado com a situação. Na cena seguinte, Larry é mostrado reclamando que seu aparelho perdeu todos os seus contatos a aplicativos.

Lawrence Gene David, popularmente conhecido como Larry David, mostrou que além de ser um ótimo comediante, também é bom vendedor.

FX Goes Mad With Product Placement

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For a hefty dose of product placement, all one has to do this week is check out a recent episode of FX’s It’s Always Sunny in Philadelphia in which Coors Light and Dave and Busters get heavily pimped.

Have You Seen The Observer? FOX TV Takes Viral to New Leve

observerFox Television has taken viral marketing to a new level.  Everyone should take notice.  Spawning from the new hit series Fringe, Fox has launched an ad campaign unlike any seen before.  Rather than relying on the staple marketing ploys of late night talk show rounds, standard TV ads and review/word of mouth popularity, Fox unloads a strategy that is both in-your-face and yet somehow subtle.

Introducing The Observer.  This secondary yet mysterious character now conspicuously appears at a variety of Fox televised events ranging from American Idol to most recently the Major League Baseball All-Star game.  His striking appearance (bald head, no eyebrows, always clad in a suit) and expressionless gaze render him unmistakeably recognizable amongst hordes of otherwise regular-looking people.  The genius of it all?  He goes completely unmentioned by hosts/commentators and the like.  He’s not followed by a screen-length banner trumpeting the show and its airing day and time.  He’s not discussed or called attention to in any manner other than a brief camera shot (as depicted above).

It’s product placement in the most brilliant, subtle manner.  Even those who don’t watch the show can’t help but be struck by his sullen demeanor.  It’s a face that sticks with you.  And for those of us who are annoyed with the banners and obligatory, “Folks, tune into…” spiels interjected into other aspects of our entertainment diet, it serves as the perfect marketing tool.

I, and I imagine many others, now feel compelled to at least sit down for an episode of the show just to see what it’s all about.  All because of a four second clip of a supporting character from a brand new TV show.  Now that’s effective marketing.

Dan Davis is a Freelance Writer carving out his growing resume, specializing in copy writing, and subjects from sports to the arts.  Contact him on LinkedIn.


Campbell’s Soaps Up, Casino Stimulates, DG Rebrands

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Mediaedge:cia brokered a deal that’ll result in two Campbell’s Soup executives appearing in All My Children tomorrow. They’ll be playing themselves.

More Transparent Product Placement?

Looks like the government wants to get involved in TV’s last best hope:

Possibly coming to televisions across the nation: stronger warnings that the Cokes, Oreos and Sidekicks flaunted by actors have bought their way onto your favorite show.

That’s what the Federal Communications Commission signaled yesterday when it said it would review new rules on how television programmers let viewers know when those “props” are really paid pitches.

FCC Chairman Kevin J. Martin said product placements and integration into story lines have increased as television viewers increasingly use recording devices like TiVo and DVRs to fast forward through commercials. Currently, agency’s rules require television programmers to disclose sponsors who have embedded products into shows. Those disclosures typically are done during the credits at the end of the show, which fly by viewers in small script.

Sordid, guilty pleasures of Sky Mall

Sheer genius. I want that Bigfoot thingie. I really do. Oooh. And that giant crossoword. And all the hose holders. I’m a sucker for those.

Will Ferrell smells like a turtle cage.

Semipro

Will Ferrell + Old Spice + Semi-Pro Co-brand + user participation = pretty fuckin’ awesome. Check it. You really gotta hand it Old Spice and WK. This is one helluva brand renovation that’s underway. Irrelevant and cheesy to irreverent and, gulp, potentially cool. One can almost drop Old Spice in the shopping cart without shame.