Adam Devine Teams up with Joe Biden in Mekanism’s Latest Installment of ‘It’s On Us’

Mekanism launched its “It’s On Us” sexual assault PSA campaign for the United States government over two years ago, and the agency has enlisted its fair share of celebrities over the course of the campaign. For its latest effort, the agency looked to Adam Devine (Workaholics, Modern Family, Pitch Perfect) and vice president Joe Biden.

Hosted on Funny Or Die, the effort sees Devine and Biden go undercover as college students to spread an important message. After stumbling to keep their cover (Biden mentions the White House and the president while Devine tries perhaps a little too hard to use internet lingo), the pair reveal their true identities to address the issue.

Devine forgets what he’s supposed to be talking about, but soon catches up to Biden. The message, really, is very simple: 1 in 5 women and 1 in 16 men will be sexually assaulted before graduating college, and it’s up to students to change the culture and bring those numbers down.

It’s an important message and one that current and future college students need to hear discusssed. Unfortunately, the spot, which clocks in at three and a half minutes, takes a little too long to get to the point. That might be more forgivable if the attempts at humor didn’t almost invariably miss the mark. Still, there is a certain charm in seeing a political figure like Biden in this kind of format, even if it doesn’t live up to Barack Obama and Hillary Clinton‘s appearances on Funny Or Die’s Between Two Ferns.

Zulu Alpha Kilo Engages in ‘FUNraising’ for Make-A-Wish

BBH NY Raises Awareness for Great Nations Eat

BBH New York launched a PSA campaign on behalf of Great Nations Eat, a partnership between national anti-hunger organization Share Our Strength and the filmmakers responsible for the Participant Media documentary A Place at the Table.

A series of spots released in time for the Fourth of July tackle the myth of the American Dream, with unfavorable comparisons between hunger statistics in the United States and other countries. Representatives of these other countries present stark realities about hunger in the U.S. and decide that their country must do something to help, echoing PSA campaigns in the U.S. calling for aid to developing nations. It hammers home the message that far too many people in the country suffer from hunger and a lack of access to nutritious food. While it might not surprise viewers that a nation like Germany has less of a hunger problem than the U.S., many may be surprised by ads showing that the nation lags behind China and Slovenia in the category, making for a memorable and impactful call to action.

“Hunger exists in every community and it affects the life of 1 in 6 Americans. That doesn’t happen in any other developed nation. It shouldn’t happen here,” said Billy Shore, founder and chief executive officer, Share Our Strength. “Ending hunger is possible. It will take public awareness and political outreach to build the necessary national will. It will take nonprofits, corporations, media outlets and government, all working together with ordinary citizens. That is Great Nations Eat.”

“The media landscape today looks very different than it did in 1968,” added Tom Colicchio, executive producer of A Place at the Table.

Colenso BBDO Introduces Breast Cream

Colenso BBDO worked with the New Zealand Breast Cancer Foundation on a PSA campaign that included a unique way to get women to perform self-exams for breast cancer.

The campaign included the distribution of Breast Cream, a moisturizer designed for the breasts, with the intention of encouraging women to work breast self-examination into their daily routine. Colenso BBDO’s print ads for the campaign cleverly pitched the product as “a cream that gives you wrinkles,” since early detection is so often critical in stopping the spread of cancer. That print component just brought home a  gold Lion in Cannes on Monday, and Breast Cream has sold 75 percent of its first production run. Check out the case study video above to learn more about the campaign and how it is helping spread breast cancer awareness in New Zealand.

Grey Canada Enlists Special Olympians to Show Disabilities are a Non-Issue in Sports

To help promote both this year’s Special Olympics World Summer Games in Los Angeles (July 25-August 2 to be exact) and Special Olympics Canada, Grey’s Toronto office has launched a campaign that essentially proclaims sports to be “the great equalizer.”

Using Special Olympics athletes including powerlifter extraordinaire Jackie Barrett–who recently put up 690 lbs.–swimmer Julia Longo and runner Robert Pipitone, the campaign’s overall theme holds that disability or not, there is no special treatment when it comes to sport.

Directed by Oscar-nominated documentary filmmaker Hubert Davis, the spots above and below feature a black-and-white motif and plenty of slow-motion shots for dramatic effect.

In a statement, Special Olympics Canada CEO Sharon Bollenbach says:

“Special Olympics Canada is extremely grateful for, and excited about, the There Is No Special Treatment campaign delivered by long-time partner GREY Canada. The launch of the campaign is a culmination of countless hours and resources, delivering on a message that resonates deeply with our athletes and their families. It is our hope that this campaign will remind all Canadians that individuals with an intellectual disability can and will succeed when given a chance, and ultimately help inspire more athletes, coaches, volunteers and donors to join the Special Olympics Movement.”

Check out a closer look at lifter Barrett in the :45 spot below:

Along with the films above (which will be launched through paid and donating media partners including Tim Horton’s and The Toronto Sun), the campaign will also include print, digital and social activations.

Agency: GREY Toronto
Chief Creative Officer: Patrick Scissons
Copywriter: James Ansley, James McGuire
Art Director: Mike Kirkland, Troy Geoghegan
Agency Producer: Terri Vegso, Shawna Robinson, Lisa Smith
Account Director: Darlene Remlinger, Laura Rovinescu
French Creative Director: Claude Croteau

Production Company: Untitled Films
Director: Hubert Davis
Director of Photography:  John Houtman
Executive Producer: Tom Evelyn
Line Producers: Tom Evelyn, Erik Wilson, Jen Walker

Editorial Company: Rooster Post
Editor: Dave De Carlo
Editorial Producer: Yumi Suyama

Music and Sound Design: Eggplant
Sound Director: Adam Damelin, Lee Porter
Sound Engineer: Matt Gauthier
Sound Producer: Nicola Treadgold, Lindsay Fry
French Audio: POSTM

Colorist: Andrew Exworth, The Vanity
Online: Paul Binney, Lauren Rampel, Fort York VFX
Online Producers: Erica Bourgault, Amanda Lariviere (Fort York)
Studio/Production Company: Westside Studio
Photographer: Matt Barnes

28toomany.org – FGM near you / Flags – print

This reminded me of the delicate stitched roses against FGM from Amnesty created by Publicis, Stockholm back in 2007 – except of course this is making the point with flags. These flags are very neatly stitched together to evoke the idea of female genital mutilation, complete with stains of blood droplets. Very realistic without being gory.

DDB Argentina Launches PSA About Dogs and Organ Transplants

DDB Argentina launched an emotional organ donation PSA for one of Argentina’s top organ donor organizations entitled “The Man & The Dog.”

The 90-second spot follows the story of an elderly man and his dog, establishing their bond in the opening part of the ad before the man suddenly collapses and is taken away by an ambulance. Our canine companion follows the ambulance to the hospital where he waits outside in vain for his master. Instead, he bonds with a woman who hospital staff rolls out on a wheelchair — the implication being that she survived thanks to the man donating his organs. While some may miss the connection, astute viewers will pick up on it and the PSA does an excellent job of drawing you in and keeping your attention as the dog waits in anticipation. In case it’s not obvious by now, you may want to keep the tissues handy for this one as the onion alert is definitely in effect. Whether or not the emotional approach ultimately convinces viewers to become organ donors, this is certainly one of the most memorable PSAs for organ donation we’ve ever seen.

Credits:
Agency: DDB Argentina
Executive Creative Director: Beto Cocito
Creative VP: Hernan Jauregui
Production Company: Central Films North
Director: Rodrigo Garcia Saiz
Editorial Company: Whitehouse Post
Editor: Matthew Wood
Assistant Editor: Caleb Hepler
Executive Producer: Kristin Branstetter
Producer: Caitlin Morris

Grey Opens ‘Positive Store’ for Israeli AIDS Task Force

Would you share a drink or a plate with someone who’s HIV positive? Therein is the underlying theme of a recent campaign that continues after kicking off a World’s AIDS Day campaign from ACW Grey Tel Aviv. In a three-minute documentary-style film, we meet a handful of Israelis who are coping with HIV while also dealing with those who fear contact with them due to their illness.

So, in an effort to help them deal with their plight, the agency has opened what it calls “The Positive Store,” a concept shop selling secondhand items tagged with QR codes that has attracted those with HIV, over 500,000 customers and $1 million in earned media. As of now, the conceptual store is opening up in other countries to help alleviate the stigma about HIV.

Executive Creative Director: Tal Riven
Creative Director: Idan Regev
Senior Copywriter: Kobi Cohen
Senior Art Director: Karin Gross
Agency Special Projects Director: Galit Siman-Tov
Agency Executive Producer: Meital Tzoref
Planer: Daniel Avital
Post Production: Snowball VFX
Agency Post Editor: Saar Mizrahi
Music: Tomer Biran
Sound Design Company: Signal
Sound Design Editor: Roy Dotan
Editor: Guy Dagan
Director: Guy Michael

 

Would you share a drink or a plat

Ad Council Works to Aid Nepal Earthquake Relief Efforts

As the death toll sadly continues to rise to well over 4,000 in the wake of this past weekend’s devastating earthquake in Nepal, The Ad Council is doing its part to help relief efforts with a PSA campaign that includes both TV and print components created by Oakland/D.C.-based production company Free Range Studios.

For this effort, the Ad Council teamed up with existing partner the U.S. Agency for International Development’s Center for International Disaster Information (USAID CIDI) to not only direct people to participating non-governmental organizations–there are thankfully many–but encourage cash donations.

Regarding the PSA push, USAID CIDI director Juanita Rilling says in a statement:

“The most substantial, expeditious, and effective way to help those affected by  disaster is to give a monetary donation to a relief organization that is already working to provide aid to those in need. USAID CIDI is proud to be working with the Ad Council to ensure this important message reaches all Americans who want to help.”

Check out the full print ad below and go here for more information.

nepaladlarge

‘The Homeless Read Mean Tweets’ in PSA from Leo Burnett Toronto

Last month, Canadian agency john st. launched a campaign entitled “Kids Read Mean Tweets,” which riffed on the popular “Celebrities Read Mean Tweets” segment Jimmy Kimmel Live for the Canadian Safe School Network. Well, offering up takes on the segment appears to be a trend in PSAs out of Canada, as Leo Burnett Toronto has created the similarly-minded “The Homeless Read Mean Tweets” for Raising the Roof Canada.

Whereas “Kids Read Mean Tweets” started relatively mild and light-hearted and became progressively more brutal as the spot went on, demonstrating the emotional toll of cyberbullying, Leo Burnett’s effort, while also increasing in intensity throughout the spot, is rough right from the get-go. After viewers are informed that what follows are real mean tweets, read by people living with homelessness, a young couple reads, “I hate the homeless. I don’t feel sorry for you. If you want change, then let me throw it as hard as I can at your dirty face.” It’s hard to imagine anyone saying something so despicable in person, but once again Twitter proves a cesspool for anonymous bullying. The horrific tweets keep coming as viewers see the emotional toll they take on those reading them, which gets more and more heartbreaking over the course of the ad’s duration, becoming increasingly hard to watch (as it should be).

While the framework for the ad is hardly original, it’s hard to argue that it isn’t quite emotionally affecting, humanizing an issue that many ignore (and which doesn’t have the same in-vogue status as the issue of cyberbullying). There’s also a campaign website with further videos, exploring the reactions of those involved as well as their personal histories.

NY Agency Vets Add Twist to Texting While Driving PSA

Despite numerous campaigns and laws passed over the years, the “texting while driving” phenomenon continues to cause far too many wrecks.

So now, a group of NYC-based advertising and production folks whose resumes include stints at BBDO and BBH NY aims to raise awareness of the problem with a 30-second film for the organization TxtResponsibly.org. This time, though, the parties involved decided to tweak the usual texting-while-driving PSA formula by replacing mobile devices with deadly metaphor.

Aimed mainly at teens, the spot — currently running on YouTube pre-roll and local stations — was shot over a weekend in New Jersey and seemingly takes its cues from Russian Roulette.

Still, its blunt messaging is relevant to all age groups.

 

Client: txtresponsibly.org

Director: Thomas Shim

Cinematographer: Anthony DeRose

Producer: Mike Wallach

Art Director: Jamie Shin

Copywriter: Sarah Rosenshine

Editor: Alison Mao

Mixer: OwenShearer

Colorist: Jaime Obradovich

Compositor: Lynzi Grant

Color Facility: Company 3

Special Effects: The Artery VFX

Post Producer: Katie Andrews

Actor: Hyten Davidson

Gaffer: Matt Pecca

First Assistant Camera: Ian Bracone

Key Grip: Corey Bracone

Swing G&E: Manny Santiago

Grey Opens ‘Gun Store’ in Lower Manhattan for PSA Project

To address what the misconception that owning a gun makes you and your loved ones safer, non-profit group States United to Prevent Gun Violence recently decided to get fairly blunt with prospective first-time buyers in startling yet clever fashion.

The project was directed by Grey New York and production company Rival School Pictures, which rented the space for two days.

The parties then built a “gun store” in the heart of Manhattan’s Lower East Side that was specifically meant to lure those interested in owning their first piece. With hidden cameras rolling, a host of passersby strolled in to be greeted by a stack of arms and a salesman willing to explain the guns themselves. The catch, though, is that each weapon our salesman introduces potential customers to comes with its own horrific history. According to the video above, perspectives can change rather quickly when confronted with even remote tales of violence.

In a statement, Julia Wyman, executive director of States United To Prevent Gun Violence, writes:

“Our goal is to educate those looking to purchase a firearm and ensure they are aware of the potential risks [and to promote responsible gun ownership]. Often gun purchasers wrongly believe guns will keep them safe when in fact a gun in the home greatly increases the risk of homicide and suicide. This sets the record straight so consumers can make an informed choice to buy a firearm or not.”

For more info, the campaign’s homepage, includes an interactive tool featuring the historic crimes and/or accidents involving each of nine “best seller” models.

This project marks Grey’s second gun-related PSA effort in as many weeks following the Snoop Dogg “Unload Your 401K” work (which was created with the assistance of unnamed gun control groups).

 

AGENCY – GREY NY

Tor Myhren
Worldwide Chief Creative Officer

Per Pedersen
Deputy Worldwide Chief Creative Officer

Andreas Dahlqvist
Chief Creative Officer

Stephen Krauss
Executive Creative Director

Ari Halper
Executive Creative Director

Marco Pupo
Creative Director

Joao Coutinho
Creative Director

Bennett McCarroll
EVP Director Broadcast Production

Floyd Russ
Producer

Elizabeth Gilchrist
VP Account Director

Katie Stirn
Account Supervisor

Emma Tonetti
Project Manager

Christopher Izzo
Digital Production

Jayne Horowitz
VP Art Producer

 

PRODUCTION COMPANY – RIVAL SCHOOL PICTURES

 

Andrew Lane
Director

James Blom
Executive Producer/Partner

Alihan Karagul
Executive Producer/Partner

 

EDITORIAL – VISION

 

Dominic Martimucci
Editor

 

POST-PRODUCTION – THE MILL

Mekanism Adds Print Component to ‘It’s On Us’ White House Campaign

San Francisco-based shop Mekanism continues its ongoing “It’s On Us” campaign for The White House, created to address the very serious issue of sexual assault on college campuses. After kicking off the campaign last fall with two spots including a celeb-driven one featuring the likes of Jon Hamm, Common and President Obama himself, the parties involved have launched the next phase in the form of print/outdoor.

Here’s the first, which plays on New York’s “if you see something, say something” ads:

its on us 1

Most of this chapter of the campaign, however, will be targeted at Spring Breakers in the Texas and South Florida areas. The first spot below targets alcohol abuse while the second addresses the matter of finding safety in numbers at related events:

its on us 2

its on us 3

Meanwhile, last year’s PSAs will continue to air through the month of March at select nationwide theaters, various sporting events including NASCAR races, and arenas including the Verizon Center, Target Center, United Center, and several more.

Pitch, Weingart Center Urge Investing in the Homeless

In what feels like a more redemptive version of Shark Tank, we have this pro-bono campaign from Pitch, the West Coast shop you know perhaps for its longstanding relationship with Burger King, Pepsi, Asics and more.

In its newest campaign, the agency gets philanthropic and turns its focus to more socially-conscious issues, namely homelessness and a downtown Los Angeles organization called the Weingart Center.

This short may look like a board meeting/presentation, but it turns into a pitch that transforms potential investors from cold to hot when their salesman of sorts suggests job placement for the homeless instead of just donating a buck or two. It’s apparently not fiction.

In a statement, Pitch President Rachel Spiegelman writes:

“The men and women who work at the Weingart Center are miracle workers. They help people truly in need re-enter society with hope and a plan. When you donate you give your money away, when you invest you get a return. That’s the core idea behind our campaign and behind the Weingart program. We’re honored to be working with them on this incredible cause.”

The campaign also includes a redesign of the Weingart site and a Twitter march with the hashtag #investinLA.

AGENCY: PITCH
CEO: Jon Banks
President: Rachel Spiegelman
Chief Creative Officer: Xanthe Wells
ACD/Art Director: Brian Farkas
ACD/Copywriter: Tylynne McCauley
Executive Producer: Julie Salik
Producer: Nancy Sanders
Production Coordinator: Nick Phillips
Strategist: Lexi Whelan, Kristin Kiefer
Art Directors: Bryan Evans (Logo), Max Pollak (Social), David Dubois (Storyboards)
Copywriter: Will Patterson (Social)
Associate Design Director: Gary Shum (Logo)
Production Company: Check Your Head Films
Director: Ricardo Mehedff
Executive Producer: Josh Goldstein
Line Producer: Aviv Russ
Director of Photography: Lowell Meyer
EDITORIAL: BICEP PRODUCTIONS
Editor: Nathaniel Connella
Motion Graphic Designer: Terry Politis
Post Producer: Esther Gonzalez
Mixer: Nick Phillips
WEINGART
President & CEO: Kevin Murray
Director of Development: Kristina Farkas
Marketing Director: Felicia Dupuch

A Concrete Lump Grows in London for Cancer Awareness

It would appear that the daily obliviousness of human traffic makes for the same sad story in both London and New York City.

Therein lies the concept in a new ad from AMV BBDO for Cancer Research U.K., where passersby on a sidewalk in London continue on their (merry) way while a concrete growth encased in fiberglass and created by model-makers Artem begins to persistently bubble up until it reaches critical mass. The hard-surfaced metaphor only casts light on how one should visit a doctor in case he or she can handle early cancer detection.

The PSA cleverly demonstrates how metastasis can not only affect the daily grind but, more importantly, your own health.

Take heed.

Client: Cancer Research U.K.
Agency: AMV BBDO, London
Creative Directors: Mike Crowe, Rob Messeter
Copywriter: Charlotte Adorjan
Art Director: Michael Jones
Agency Planners: Emily Harlock, Sarah Sternberg
Account: Gareth Collins, Emily Atkinson, Ally Humpherys
Agency Producer: Sophie Horner
Media Agency: Mediacom
Media Planner: Lucy Mitchell
Production Company: Rogue
Producer: Maddy Easton
Director: Sam Cadman
Sound: Gary Turnball / Grand Central Recording Studios
Postproduction: Joseph Tang / The Mill
Editor: Kev Palmer / TenThree
Model Makers: Artem
Music: The Sound Works

Pereira & O’Dell, Ad Council Encourage Bathroom Recycling

The Ad Council teamed up with San Francisco-based agency Pereira & O’Dell for a series of new PSAs promoting the recycling of bathroom products for Keep America Beautiful, with funding by Unilever.

Based on research showing that, while recycling of kitchen items has become commonplace, 45 percent of Americans aren’t recycling their bathroom products, the new ads hope to change this behavior with a series of broadcast and digital spots functioning as an extension of the ongoing “I Want To Be Recycled” campaign. The ads are narrated by shampoo bottles who dream of being recycled into something more. In “Smile,” the shampoo bottle just wants to be noticed. After being tossed in the recycling bin, the bottle returns as a hair brush to “make people smile.” Things get a bit more over-the-top in “Superhero,” when another shampoo bottle dreams of becoming a superhero and decides, after being recycled as a comb, that this mission has been accomplished. Both spots end by directing viewers to IWantToBeRecycled.org for more info and an interactive recycling game.

“Washing your hair, putting on deodorant, applying skin cream — common bathroom activities — are all associated with packaging that can be recycled,” PJ Pereira, chief creative officer and co-founder of Pereira & O’Dell, said in a statement. “The new creative aims to change people’s mindsets about recycling in the bathroom. While we use all these personal care products to take care of ourselves, we can also help take care of the world by making sure the products we use in the bathroom make it to the recycling bin. The spots continue to demonstrate how you can give your garbage another life by recycling.”

Credits:

Client/Brand: Keep America Beautiful/Recycling
Client Brand Manager: Advertising Council
Agency: Pereira & O’Dell
Chief Creative Officer: PJ Pereira
Executive Creative Director: Jaime Robinson
Creative Director, Copywriter: Eduardo Marques
Creative Director, Art Director: Rafael Rizuto
Copywriter: Sara Uhelski
Art Director: Leila Moussaoui
Project Manager: Adam Russel
Account Director: Ashley Brown
Senior Account Executive: Jennifer Wantuch
Vice President, Director of Strategy: Nick Chapman
Strategist: Beth Windheuser
Executive Producer: Jeff Ferro
Broadcast Producer: Judy Kreiter
Production by Hello!
Director: Graeme Joyce
Executive Producer: Mike Brady
Head of Production: Dominick Ferro
Producer: Valerie Thomas
Editorial by Cut & Run
Editor: Sean Stender
Executive Producer: Carr Schilling
Producer: Remy Foxx
Music
Composer: Skylar Bishil
VFX/Online Finishing by SpyPost
Colorist: Chris Martin
Executive Producer: Lori Joseph
Sound Design & Mixing by One Union
Lead Mixer / Sound Designer: Matt Zipkin
Producer: Lauren Mask

R/GA, Ad Council Launch ‘Love Has No Labels’ PSA

R/GA and The Ad Council teamedup for “Love Has No Labels,” a three-minute PSA about bias and diversity.

To create the PSA, they set up a large X-ray screen in Santa Monica on Valentine’s Day and had people of all genders, races and ages embrace behind the screen and then step out to reveal their identities, catching the crowd’s reaction in the process. The spot opens on two skeletons of unspecified origin kissing behind the screen. As they each emerge on separate sides, it’s revealed that they are both women and the crowd’s surprised reaction tells you something about why R/GA and The Ad Council are working on this campaign in the first place.

“We decided to take this on because we felt it was very important to encourage people, all Americans, to examine their unconscious biases,” Lisa Sherman, president and CEO of Ad Council, told Adweek. “As much progress as we’ve made as a country, we absolutely still have more work to do.”

The spot launches a year-long campaign that includes partnerships with Human Rights Campaign and the Anti-Defamation League.

Credits:

Client: Ad Council
Campaign: “Love Has No Labels”
Agency: R/GA
Production Company: Persuade Content

Saatchi & Saatchi, Ad Council Launch Goodwill PSAs

Saatchi & Saatchi teamed up with the Ad Council to launch a series of new PSAs for Goodwill focusing on how the charity helps the unemployed and underemployed find work.

According to a press release, Goodwill helped 261, 000 people find employment in Canada and the United States in 2013, or ” Every 27 seconds of every business day, Goodwill helps someone find employment.”

The series of PSAs celebrates this fact, and uses it to call on viewers to donate to Goodwill and help more people find jobs. The 60-second PSA featured above samples from a historic speech from Franklin D. Roosevelt to address the “inherent right to work” and how donating to Goodwill is a starting point to enact positive social change. Another spot follows a boy’s relationship with a bicycle as he grows up and, eventually, donates it to Goodwill. All of the spots in the campaign end with the tagline, “Donate Stuff. Create Jobs.” Both English and Spanish language of PSAs will be supported by print, radio, outdoor and digital efforts as part of a campaign dating back to September of 2013.

“We’re honored to partner with the Ad Council to assist Goodwill in connecting people with employment,” said Jay Benjamin, chief creative officer at Saatchi & Saatchi, in a statement. “We hope these powerful stories will inspire donations, create more jobs and effect positive cultural change.”

The NFL Donates Super Bowl Slot for Grey’s No More PSA

The NFL is donating 30-seconds of Super Bowl ad time to run a PSA created pro bono by its agency of record, Grey, for domestic violence awareness organization No More. The leagues also covered production costs for the spot, which will run during the first quarter.

A 60-second version of the PSA was recently uploaded to No More’s YouTube channel. It depicts a woman making a 911 call disguised as a pizza order, because her attacker is in the same room as her. Initially befuddled, the officer on the other line realizes what is going on and sends an officer to help. It’s a pretty harrowing look at the hidden nature of domestic violence and should make an impression during the big game.

The NFL has been running PSAs for No More all season, following controversy related to the league’s handling of a series of domestic abuse cases. No More’s leak of this extended version of the Super Bowl ad follows on the heels of a video from advocacy group Ultraviolet which Sports Illustrated agreed to run on its website. That video criticized the league directly for its handling of domestic violence cases, going as far as to call for NFL President Roger Goodell to step down with the hashtag #GoodellMustGo.

BBDO NY Looks at ‘Monsters Under the Bed’ for Sandy Hook Promise

With the anniversary of the Sandy Hook Elementary School shooting coming up this Sunday, BBDO New York crafted a PSA campaign for Sandy Hook Promise, an gun violence prevention organization formed in the wake of that tragedy.

In the three-minute video “Monsters Under the Bed,” an interviewer has children draw pictures of monsters and then interviews parents asking them what they do to protect their children from these imaginary creatures, with parents offering up a range of responses. Then the interviewer changes the conversation, asking, “How do you protect them from gun violence?” Most of the parents just sit silently with a pained expression, and not one is able to offer a satisfying answer. BBDO New York drives the message home when text appears onscreen reading, “Last year, zero kids were killed by monsters under the bed. Let’s protect our kids from the real threats…so they can continue being afraid of the imaginary ones.”

The video ends by directing viewers to SandyHookPromise.org, where the organization offers parents, students and teachers tools and programs to prevent future gun violence, including mental wellness, social development and gun safety approaches.”Monsters Under the Bed” is being promoted on social channels including Facebook, Tumblr, YouTube, and Twitter.

Additionally, BBDO New York worked with director Tarik Karam and executive producer Stephen Daldry to create a short documentary film called What They Left Behind. The documentary tells the story of three children who lost their lives to gun-related violence: “from a 17–year-old girl who committed suicide with her father’s gun; to an argument among young teenage boys in Iowa that  ended in bloodshed; to the Barden family who lost their 7-year-old son in the Sandy Hook Elementary School shooting.”

“In the two years since I lost my son, I have been speaking with communities across the country to better understand the causes of gun violence,” said Nicole Hockley, communications director for Sandy Hook Promise and mother of six-year-old Sandy Hook victim Dylan. “What we have learned is that, as a nation, we can help to prevent tens of thousands of gun deaths, by first learning the warning signs of violent behavior and focusing on community-based programs to help and heal those most at risk.”

Stick around for the 35-minute What They Left Behind, along with credits, after the jump. (more…)

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