The Official Name of Volkswagen's New Car Is a Hashtag: #PinkBeetle

It’s not every day that an automaker launches a new, brightly colored car based on social media demand. Or names the model after the hashtag that helped bear it.

The 2017 Special Edition Volkswagen #PinkBeetle (its official name) hits showrooms this fall, and the brand is celebrating with a blatantly magenta ad from agency ISL, running exclusively through marketer-owned channels like Facebook.

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A Volkswagen Drives a Trailer Backwards at High Speed in This Marvelous Campaign

Imagine walking down the street, going about your business, and seeing a car-towed box trailer whizzing past—backwards.

You might imagine you had stumbled onto the set of an action movie. Or perhaps it’s a Norwegian Volkswagen campaign from agency Try Oslo that picked up four Lions last week in Cannes, including gold in the Promo category, as well as silvers in Outdoor and PR and a bronze in Film.

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VW Designed a Baby Stroller With Automatic Braking After Joking About It in an Ad

Volkswagen Netherlands aired a TV spot in April in which VW owners had great expectations for their other possessions—including one mother who couldn’t understand why baby strollers don’t have automatic braking.

The automaker posted the ad on Facebook, and the most-liked comment came from a fan who suggested that VW actually build just such a futuristic stroller.

And so, VW did.

Check out the video above, in which a joke from a commercial (by ad agency Achtung!) becomes a prototype in just a few short weeks. It includes a cameo from the Facebook fan himself, and also shows some humorous footage of the stroller in action.

Sorry, moms, it seems lazy dads will be the biggest market for this new vehicle.

Make a Bunch of Vrooming and Squealing Car Noises, and VW Will Turn It Into a Video

Volkswagen wants you to feel like a kid again.

A new campaign from the automaker and agency Deutsch LA cleverly invites you to create your own virtual test drive of a Golf R—by making car noises into your computer.

“Unleash Your Rrr” lets you record video of yourself imitating revving engines and squealing breaks—then analyzes the audio to string together clips into a personalized video of the VW model in action, racing down a track or drifting through turns.

Professional driver Tanner Foust performed the stunts, and also stars in one of two excellent teaser vids—in which he delivers some killer sounds, and perfectly sums up the experience at the end, with a slightly horrified, “Good God.” While his facial contortions are nothing to sneeze at, actor Michael Winslow (aka, the Man of 10,000 Sound Effects) blows Foust out of the water with priceless looks and bottomless panache.

In short, it’s an exceptionally fun and simple idea. Head over to rrr.vw.com for some more samples, or to create your own—so long as you’re willing to forever and completely grant VW rights to the footage of you puckering up while you say “Vroom.”

Deutsch L.A. Wants You to ‘Unleash Your Rrr’ for Volkswagen

Deutsch L.A. launched an unusual campaign for Volkswagen, calling on viewers to “Unleash Your Rrr” in an AI-fueled campaign built around Deep Learning, a subset of Machine Learning artificial intelligence which “analyzes each unique vocal pitch to create customized film of Golf R driving in sync with the sound of the user’s voice.”

“The King of Sound Effects” Michael Winslow demonstrates the technology in a 40-second online video. He appears to be responding to the footage of professional racecar and stunt driver Tanner Foust driving the Golf R, but really it’s the other way around, with the footage chosen to correspond to the sound effects. The Deep Learning technology works by analyzing users’ vocal pitch and choosing matching footage from hundreds of clips. You might not have the vocal chops of Winslow, but you can give it a try for yourself over at www.rrr.vw.com. It’s certainly one of the stranger, and attention-grabbing stunts we’ve seen for an automotive brand recently, although we’re not sure it will make anyone run to the car dealership.

Credits:

Agency: Deutsch LA
Chief Creative Officer, North America: Pete Favat
Chief Digital Officer, North America: Winston Binch
Executive Creative Director, Digital: Jerome Austria
Executive Creative Director: Todd Riddle
Executive Creative Director, Platforms: Tara Greer
Group Creative Director: Heath Pochucha
Creative Director: Andrew Hsu
Creative Director: Daniel Barak
Senior Interactive Creative: Karan Dang
Senior Art Director: Neph Trejo
Senior Art Director, Social: Rocio Alvarado
Senior Copywriter, Social: Marijke van Niekerk
Copywriter: Eddie Babian
Copywriter: Shiran Teitelbaum
Art Director: Alice Blastorah
Designer: Erica Park
Experience Design Lead: Paolo Benvenuto
Executive Director, Digital Pam Scheideler
Executive Integrated Producer, Digital: Nick Ngai
Digital Producer: Jenny Court
Executive Creative Technology Director: Marc Gowland
Executive Creative Technology Director: Josh Hirsch
Creative Technology Director: Martin Legowiecki
Associate Technology Director: Jeremy Bunting
Associate Technology Director: Mike Dyer
AI Engineer: Sabri Sansoy
Senior Creative Developer: Hassan Elzein
Senior Creative Developer: Jesse Pinuelas
Quality Assurance Manager: Chris Suchy
Quality Assurance Tester: Tito Goldstein
SVP, Director of Digital Analytics: Sailesh Patel
Data Strategy Analyst :Brad Nogle
Director of Integrated Production: Vic Palumbo
Executive Integrated Producer: Erik Press
Executive Producer, Video and Motion Design: Ted Markovic
Senior Integrated Producer: Eric Kaufman
Integrated Producer: Win Bates
Associate Integrated Producer: Eric Kunau
Music Director: Dave Rocco

Account Management Credits:
Group Account Director: Tom Else
Group Account Director: Monica Jungbeck
Account Director: Alex Gross
Account Supervisor: Erin Shanahan
Account Executive: Ashley Su
Assistant Account Executive: Sheila Ashouripour

Account Planning:
Chief Strategic Officer: Colin Drummond
Director of Digital Strategy: Zach Gallagher
Group Planning Director: Susie Lyons
Senior Digital Strategist: Brendon Volpe
Senior Account Planner: Armando Potter

Product:
Director of Product Information Jason Clark
Product Information Supervisor Eddie Chae

Business Affairs/Traffic:
Director of Integrated Business Affairs: Abilino Guillermo
Group Director, Integrated Business Affairs: Gabriela Farias
Associate Business Affairs Manager: Jade McAdams

Live Action Production Company: Steelhead
Director: Eric Kaufmann
Executive Producer: Ted Markovic
Line Producer: Eric Kunau

Editorial Company: Steelhead
Editor: Ian Paxton
Assistant: Tony Bernard
Executive Producer: Ted Markovic

Post Facility: Big Block Entertainment Group
President: Scott Benson
Producer: Pete King
Senior Colorist:  Brandon Chavez

Licensed/Composed Music, Credits and Track Info:
Track: “Snake Juice”
Composer: Sanford Livingston
Track: “Contact”

Composer: Nico Mansy

Mophonics
Executive Producer, Partner: Shelley Altman
ECD, Partner: Stephan Altman
Managing Partner: Adam Harriman

Audio Post Company: Steelhead
Executive Producer: Ted Markovic
Mixer: Chase Butters

Volkswagen Group Launches Global Media Review

Volkswagen Group, which includes Audi and Porsche, has become the latest advertiser to launch a global media review. VW Group spent about $605 million in U.S. measured media in 2014, according to Kantar Media.

The review is still in its opening stages, with VW Group having reached out to holding companies, and it is unclear if incumbent Mediacom, who has worked with VW Group since 1998, will defend. Volkswagen Group’s decision to launch a global media review follows on the heels of a slew of advertisers launching similar reviews. BASF and GoDaddy launched their own global media review earlier this week, while P&G launched a North American media review a week ago and Norwegian Cruise Line launched a creative and media review in early April. SC Johnson, meanwhile, consolidated its media buying account with PHD following a media review open only to roster shops.

This Clever Volkswagen Ad Is Exactly as Long as the Time You Can Spend With It

If you don’t have time to watch this whole new commercial for Volkswagen Trucks, you can just skip to the end for a quickie version—no matter where you are in the story—and it will still make sense.

Go here to check it out.

It’s a merciful approach that all brands should probably mimic in all commercials, given this is the age of skip-happy Internet viewers. But Brazilian agency AlmapBBDO created the ad specifically to reinforce VW’s claim that its rigs, like the ad, are themselves customizable. In that context, the video slider at the bottom of the website might be the best part—it takes the shape of a truck that just keeps getting longer and longer.

The story itself—spoilers ahead—is about a young truck driver who runs into an ex-girlfriend at a market. Told in a stilted monologue, it’s a bit like a Mad Lib with a single punch line—structured into clauses so you can jump to the last scene at any point, by clicking a button in the lower right hand corner. But the last words are always “My grand-aunt.”

That makes for some odd combinations, like “I satisfied my hunger eating… a taco made by… my grand-aunt.” It also makes for some surprisingly dark outcomes for a big advertiser—like skipping the part about the taco and delving straight into ancestral cannibalism. There’s at least one notable hidden variation—hit the button at certain times, and the grand-aunt is a goateed, shirtless young man, instead of a little old lady.

Overall, it’s an intriguing approach, but maybe a little too eager to be inventive, with a takeaway that seems more about the copywriting team’s ability to write a cascading script than about the product’s benefits. It was nice for them to include an eject lever, but if the idea is to get the message in quickly, and extend the entertainment for those who want it—Geico’s simpler approach takes the cake.

Plus, it has a better dog.

Via PSFK.



VW's Passat Clean Diesel Will Keep You, and Your Horrible Boys, Out of Gas Stations

Is this any way to celebrate Mother’s Day?

A trio of unholy terrors—pre-pubescent boys, presumably brothers—wreak havoc in a gas-station convenience store in “Mom,” an amusing Volkswagen spot from Deutsch L.A.

These little rowdies like their carbonated beverages shaken, not stirred, and heavy on the cheese-whiz, please! (Teach that chili dog a lesson!) Their acts of impish mayhem are captured in glorious Sam Peckinpah-style slow-motion as the Willie Nelson/Waylon Jennings version of “Mammas Don’t Let Your Babies Grow Up to Be Cowboys” plays in the background. The clerk looks horrified. Guess he doesn’t like that song.

While all this is going on, Mom is outside, filling up at the pump. Too bad she doesn’t drive a 2015 VW Passat Clean Diesel. It gets “up to 814 highway miles per tank,” so you can “stop less, go more.”

If you ask me, the store got off easy. The Golden Sisters and Stinky would’ve burned that mother down.



Mangan Berlin Releases ‘Cat Video’ for Volkswagen

Mangan Berlin launched a new spot promoting Volkswagen leasing with the 60-second “Cat Video.”

The spot explores the Internet phenomenon of cat videos, with a twist: the cats are all played by people. As with most cat videos, it’s an exercise in pure ridiculousness. The connection to the brand is delivered at the very end, when a cat driving a Volkswagen says, “You don’t have to be a cat to get on the Internet. And if you want to drive a Volkswagen, you don’t have to buy one.” While that connection is a bit of a stretch, the video and accompanying catchy song will be hard for viewers to forget.

“We began this project with an intense casting session and pre-production planning that included a stunt coordinator and a special rig to simulate the curtain gag,” explained director Curtis Wehrfritz. “Cats act like diva rock stars, their demeanour is so dry, and unaffected. It’s not that the cat drops the vase but rather his ‘who gives a shit’ attitude that really makes them funny. We wanted to make sure we captured that.”

Credits:

Spot Title: Cat Video
Marketing Volkswagen Leasing: André Hajek
Marketing Volkswagen Leasing: Miriam Laridjani
Marketing Volkswagen Leasing: Rafael Schady
Marketing Volkswagen Leasing: Kristin Woltmann

Agency: Mangan Berlin
Copywriter/Concept: Christian Fries
Art Director: Christian Peters
Art Director: Felix Szymoniakn

Production Company: Tony Petersen Film Berlin
Director: Curtis Wehrfritz
Director of Photography: Stefan Austmeyer
Executive Producer: Fabian Barz
Producer: Stefanie Schuster

Casting: Ana Dávila
Production Design: Sven Gessner
Make Up: Andres Heldmann
Styling: Katja Höft

Editor: Hannes Andresen
Colour Grading: Pana Argueta
Post Production: nhb studios Berlin
Cat Animation: Fido, Sweden
Music: Steve Ibsen

Deutsch LA Crafts Slow-Mo Destruction for Volkswagen

Deustch LA launched the final spot in its campaign for the 2015 Volkswagen Passat TDI Clean Diesel, entitled “Mom.”

The 45-second spot depicts three young boys running wild in a gas station convenience store causing all kinds of destruction. Filmed in slow-motion and set to the classic country song “Mammas Don’t Let Your Babies Grow Up to Be Cowboys” (as performed by Waylon Jennings and Willie Nelson) the comic approach makes for an entertaining scene of wheezing the juice, soda explosions and excessive amounts of cheesy sauce. After the boys’ shenanigans, and a shot of the mom filling up at the pump, the spot cuts to a mom in the 2015 Volkswagen Passat TDI Clean Diesel, with three well-behaved boys in the backseat. The perfect marriage of the boys’ destruction in slow motion and the music selection make for a fine sendoff spot to the campaign and follow-up to the “Old Wives Tales” spots starring the Golden Sisters.

Credits:

Agency: Deutsch LA

Chief Creative Officer, North America: Pete Favat
EVP, Executive Creative Director: Todd Riddle
SVP, Group Creative Director: Heath Pochucha
VP, Creative Director: Paul Oberlin
Partner, Director of Integrated Production: Vic Palumbo
VP, Executive Integrated Producer: Erik Press
Integrated Producer: Kaitlin Moore
Associate Integrated Producer:  Alex Saevitz
Music Director: Dave Rocco
EVP, Group Account Director: Tom Else
SVP, Group Account Director: Monica Jungbeck
VP, Account Director: Alex Gross
Account Supervisor: Aleks Rzeznik
Account Executive: Ashley Broughman
VP, Director of Product Information Jason Clark
Product Information Supervisor: Eddie Chae
Chief Strategic Officer: Jeffrey Blish
Group Planning Director: Susie Lyons
Director of Integrated Business Affairs: Abilino Guillermo
Group Director Integrated Business Affairs: Gabriela Farias
Business Affairs Manager: Jade McAdams
Director or Broadcast Traffic: Carie Bonillo
Broadcast Traffic Manager: Courtney Tylka
CEO, North America: Mike Sheldon
President, Los Angeles: Kim Getty

Live Action Production Company: Hungry Man
Director: Hank Perlman
Executive Producer: Nancy Hacohen
Executive Producer/Director of Sales: Dan Duffy
Line Producer: Caleb Dewart

Editorial Company: Spot Welders
Editor: Haines Hall
Assistant Editor: Oliver Hecks
Managing Partner: David Glean
Executive Producer, Director of Development: Victoria Guenier
Executive Producer: Carolina Sanborn
Producer: Evan Hunningham

Post Facility: Color Correct: Apache
Executive Producer, Managing Director: LaRue Anderson
Producer: Caitlin Forrest
Senior Colorist:  Steve Rodriguez

Post/VFX: Arsenal FX
Executive Producer: Ashley Hydrick
Senior Producer: Pravina Sippy
Lead Flame Artist: Matt Motal
Flame Artist: Jeff Aquino

Licensed/Composed Music, Credits and Track Info:
Track: “Mammas Don’t Let Your Babies Grow Up to Be Cowboys”
Performed by Waylon Jennings and Willie Nelson
Composed by Ed Bruce and Patsy Bruce
Courtesy of Sony Music Entertainment
By arrangement with Sony ATV Music Publishing

Audio Post Company: LIME Studios
Executive Producer: Susie Boyajan
Mixer: Mark Meyuhas
Assistant Mixer: Matt Miller

VW, DDB Paris Can’t Fathom a World Without Cars

Would you live in a world where teleportation — not the automobile — is the essential form of travel?

For Volkswagen and DDB Paris, the answer appears to be “no,” as you can see in a new, film-like :90 spot promoting the VW Golf GTE and fanning the passions of all the car lovers out there. Helmed by veteran commercial director Noam Murro, or the man who’s most recently been W+K’s go-to guy on ads for TurboTax and Dodge, VW’s “Choice” spot weaves an intriguing tale of familial bonds and technology.

Like Robin discovering Bruce Wayne’s Batcave, our hero embarks on a journey inspired by a letter from his inventor uncle, which leads him and his Golf GTE to his relative’s vast, mysterious inner sanctum. While the innovation he unearths in his uncle’s hidden laboratory may change the world, our protagonist can’t imagine one without his very favorite form of transportation.

(You can take a guess at what that might be.)

Agency: DDB Paris
Production Company: Wanda Paris / Biscuit Filmworks
Post Production: MPC Paris
Colorist: George K
VFX Supervisor: Franck Lambertz
Agency Producer: Sophie Merges
Executive Creative Director: Alexandre Herve
Copywriter: Elie Sachs
Director: Noam Murro
Producer: Jerome Denis

3 Salty Old Wives Shout Lies About Diesel in Sweet, Silly Ads From Volkswagen

Your cranky straight-talking grandmother might not think much of diesel engines, but Volkswagen would like her—and you—to reconsider.

“Old Wives Tales,” a new campaign from Deutsch LA for the automaker’s Passat TDI, features the Golden Sisters, who rose to fame with their salty commentary on Kim Kardashian’s sex tape back in 2012. Now, the trio are riding around in a VW, sounding off on diesel cars—and getting it wrong.

They weigh in on rappers (dismissively, of course) and play “Who’s on First” with the question of whether the car is even running—because aren’t diesel engines supposed to be loud? While looking for a gas station, they start obsessing over food—Italian, in this case (the real-life siblings were all born Conticchio, in the Bronx)—though their heritage could, in many moments, just as easily be another variety of old, white and loud.

In other words, the four spots are all set pieces that showcase a certain type of gleefully abrasive charm—a shtick that will appeal best to the demographic that knows and loves the caricature. It’s a nice vehicle for the message. People who bear these misconceptions are likely more concerned with volume than accuracy, so don’t be like them (even if you think they’re funny).

The best moment by far is a close-up of what might be the world’s ugliest dog (a cameo that deserves credit for extra cutting against the grain of everyone everywhere putting adorable puppies in their ads). And in a discovery on which more mercenary brands should capitalize, it turns out even marketing hashtags like #tunameltsmyheart are less obnoxious when yelled by an old woman—probably because you don’t have a choice but to forgive them for being cheesy.

CREDITS
Client: Volkswagen
Agency: Deutsch LA
Chief Creative Officer: Pete Favat
Chief Digital Officer: Winston Binch
Executive Creative Director: Todd Riddle
Digital Executive Creative Director: Jerome Austria
Group Creative Director: Heath Pochucha
Group Creative Director: Tom Pettus
Art Director: Alice Blastorah
Copywriters: Shiran Teitelbaum, William Sawyer
Director of Integrated Production: Vic Palumbo
Executive Integrated Producer: Erik Press
Integrated Producer: Win Bates
Group Account Director: Tom Else
Group Account Director: Monica Jungbeck
Account Director: Alex Gross
Account Supervisor: Aleks Rzeznik
Account Executive: Ashley Broughman
Director of Product Information: Jason Clark
Product Information Supervisor: Eddie Chae
Chief Strategy Officer: Colin Drummond
Senior Digital Strategist: Brendon Volpe
Group Planning Director: Susie Lyons
Director of Integrated Business Affairs: Abilino Guillermo
Group Director Integrated Business Affairs: Gabriela Farias
Business Affairs Manager: Jade McAdams
Director or Broadcast Traffic: Carie Bonillo
Broadcast Traffic Manager: Courtney Tylka
Production Company: LMNO Productions
Director: Eric Schotz
Executive Producer: Ed Horwitz
Editorial House: Union Editorial
Editor: Paul Plew
Assistant Editor: Otto Mertins
President: Michael Raimondi
Senior Producer: Rob McCool
Post-Facility: Resolution
Sound Studio: Resolution
Producer: Logan Aires
Mixer: Milos Zivkovic



Tribal Worldwide Visualizes Parking Assist for Volkswagen Passat

Tribal Worldwide found a unique way to promote the Volkswagen Passat’s parking assist feature in its latest ad for the brand.

The agency worked with Andy Serkis’ Imaginarium Studios on a series of four spots for the brand. “Park Assist,” the first of these (featured above), visualizes the vehicle’s technology, making it appear as if the viewer is seeing things through the car’s point of view, before returning to the vehicle’s proud owner and his rather impressed passenger. To achieve the effect, The Drum explains, the team “rigged a Passat with infrared cameras which collected positional data that was translated in real time and used to create a CGI environment around the car.” The result is impressive, visually striking and a nice change of pace for the brand, which has traditionally sold itself on its durability, reliability and affordability rather than its technological features.

“The [technology focus] is where the brand is right now,” Silke Anderson, Volkswagen UK communications manager, told The Drum. “Innovation has always been core to everything that we do and with the Passat so full of technology we felt it was the perfect opportunity to bring this tech to life and get people talking about it in an excited way. Unless you drive the car then it’s hard to visualise how the systems and the sensors are working.”

Elderly Ladies Play Backseat Driver for VW

No, they’re not the Golden Girls — but they might as well be, because their ball-busting shenanigans take center stage during a ride in a new Volkswagen clean diesel-fuel-absorbing Golf TDI.

Deutsch LA, production company LMNO, and Union Editorial spin an old wives’ tale in 30 seconds in this spot as the man behind the wheel tries to get his comeuppance by taking the ladies for a little detour and discouraging their backseat driving advice.

According to the parties involved, the Tumblr-promoted ad has already garnered over 1,000,000 views since launching in late February — which proves that Blanche, Rose, Sophia, and Dorothy (or their equivalents) are always good for a laugh.

Agency: Deutsch LA

Chief Creative Officer: Pete Favat

Chief Digital Officer: Winston Binch

Executive Creative Director: Todd Riddle

Digital Executive Creative Director: Jerome Austria

Group Creative Director: Heath Pochucha

Group Creative Director: Tom Pettus

Art Director: Alice Blastorah

Copywriters: Shiran Teitelbaum, William Sawyer

Director of Integrated Production: Vic Palumbo

Executive Integrated Producer: Erik Press

Integrated Producer: Win Bates

Group Account Director: Tom Else

Group Account Director: Monica Jungbeck

Account Director: Alex Gross

Account Supervisor: Aleks Rzeznik

Account Executive: Ashley Broughman

Director of Product Information: Jason Clark

Product Information Supervisor: Eddie Chae

Chief Strategy Officer: Colin Drummond

Senior Digital Strategist: Brendon Volpe

Group Planning Director: Susie Lyons

Director of Integrated Business Affairs: Abilino Guillermo

Group Director Integrated Business Affairs: Gabriela Farias

Business Affairs Manager: Jade McAdams

Director or Broadcast Traffic: Carie Bonillo

Broadcast Traffic Manager: Courtney Tylka

See the Ad That Just Eclipsed Volkswagen's 'The Force' as the Most Shared Ever

The mighty Empire has fallen … thanks to some yogurt.

Deutsch/LA’s 2011 Super Bowl spot “The Force” for Volkswagen, which enjoyed an astonishing 41-month reign as the most shared ad of all time, has finally been dethroned—by Activia and the World Food Programme’s three-and-a-half minute music video starring Shakira, created for this year’s World Cup.

As of Tuesday morning, the Activia spot, titled “La La La (Brazil 2014),” has been shared 5,409,192 times across Facebook, Twitter and the blogosphere, according to Unruly Media. And it’s only widening its lead over “The Force,” which has racked up 5,254,667 shares.

While “The Force” is a traditional 60-second spot (the version that ran on the Super Bowl was actually a :30), the Activia video is an example of what Unruly calls “trackvertising,” where a brand and a musician co-release a video that is both a music video and an ad. The Colombian pop star’s worldwide celebrity (she recently became the first person to reach 100 million Facebook likes) clearly fueled the Danone yogurt brand’s spot.

Also, while the share counts are comparable, the view counts are not. “The Force” has about 60 million views on YouTube, while the Activia video has more than 275 million.

“Music videos are by far the most shared type of content, so it’s no surprise that brands are now blurring the lines between traditional ads and music videos in order to get themselves seen and heard on social,” says Sarah Wood, co-founder and COO at Unruly.

“Music and advertising have a long history together. Some will remember the early days of TV commercials and jingles—the internet memes of their day. On digital, we see music deployed in a number of ways—from ads released alongside a professional artist, to parody or licensed tracks, to heavy product placement or even ads that make their own track famous.”



Volkswagen Freaks Out a Whole Movie Theater With Devious 'Don't Text and Drive' PSA

We’ve seen lots of “Don’t text and drive” ads lately. With this one from Ogilvy Beijing, Volkswagen drove the message home to a captive movie-theater audience in a way they’ll surely remember.

Watch the spot first to get the full impact.

Obviously the video begs the question about how, exactly, the stunt was pulled off. It says a “location-based broadcaster” was used—presumably this is done through geo-fencing, though you would think people would have to opt in to receive text messages that way.

But if the footage is genuine, it’s a remarkable way to demonstrate that mobile-phone use is now the leading cause of death behind the wheel. Advertising is a great way to get that message across, at least until VW figures out a way to use German engineering to solve our obsession with cellphones.



2 Years and 50,000 Shingles Later, This Man Has Created a Lovely Wooden Beetle

All those nerds who hot-glue gears onto stuff and call it steampunk have been outdone by a retiree in Bosnia.

Momir Bojic has put his free time to good use by detailing his Volkswagen Beetle in tiny wood shingles. (Would that make his Bug a Volkswagen Termite?) Anyway, the entire frame of the car and most of the interior are sheathed in 50,000 hand-cut wood pieces, a process that took Bojic more than two years to complete.

Check out a photo gallery of the finished product here.

Given the attention to detail on a project of this (literal) scale, I'm surprised it didn't take him longer than that. The lattice work over the headlights alone is incredible, not to mention the hubcaps. The car's still roadworthy, too, but that's not as surprising as some might think. I mean, if the Baltimore Rock Opera Society's art car is highway-safe, then Bojic's got nothing to worry about.




Após ter sua produção encerrada, Kombi revela seus últimos desejos

Em julho do ano passado, a Volkswagen anunciou que iria encerrar a produção da Kombi, o que de fato ocorreu no final do ano. Isso não aconteceu, entretanto, antes que o mítico veículo fosse coberto de todas as homenagens possíveis, em campanha criada pela AlmapBBDO. Agora, a agência assina um documentário dirigido por Fernando Gronstein Andrade, da Spray Filmes, que revela os últimos desejos do carro aposentado.

Com criação de Benjamin Yung Junior, Marcelo Tolentino, Marcelo Nogueira e Marcelo Pignatari Rosa – autores da campanha – o filme nos leva por uma emocionante jornada pessoal da Kombi, narrada em primeira pessoa. Coube à atriz Maria Alice Vergueiro emprestar sua voz ao veículo, que revela histórias compartilhadas ao longo de sete décadas. E, sem vergonha nenhuma, confessa que está muito “rodada”.

Os seis meses necessários para a produção do documentário se devem à herança deixada pela Kombi a algumas pessoas especiais para ela, não só no Brasil, mas também nos Estados Unidos – o designer Bob Hieronimous, que ajudou a fazer do veículo um dos símbolos da cultura hippie -, e na Holanda, onde vive Ben Pon Jr., filho do criador do carro, a quem ela chama de irmão.

Dê o play e prepare-se para a poeirinha que vai entrar nos seus olhos…

kombi kombi1

 

Brainstorm9Post originalmente publicado no Brainstorm #9
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Volkswagen usa corda para ilustrar lição de economia

Com criação da adam&eveDDB e produção da Outsider, a Volkswagen resolveu ensinar uma pequena lição de economia para o público, lembrando que o barato pode sair muito caro para quem tenta economizar a qualquer custo, enquanto que um investimento maior pode ajudar a garantir mais segurança e conforto.

Para ilustrar o argumento, o filme Rope mostra dois alpinistas se preparando para iniciar uma escalada. Um deles questiona o outro sobre a corda a ser utilizada, que apesar de ser relativamente nova, parece ser bastante frágil. Enquanto isso, o dono da corda parece ignorar o perigo oferecido pelo equipamento, contando vantagem sobre o preço pago.

Tudo isso para mostrar que, apesar de ser mais caro, o Tiguan vale o investimento.

corda

Brainstorm9Post originalmente publicado no Brainstorm #9
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A história de um homem e seu Fusca, viajando pelo mundo

Em 1955, Paul Loofs comprou um Fusca e tomou a decisão de rodar o mundo a bordo do carro novo. Não uma, mas três vezes. E, acredite ou não, 59 anos após sua primeira volta ao mundo, o Beetle #903847 continua na estrada, como podemos ver no documentário e hotsite Once More, The Story of VIN 903847da Volkswagen.

O projeto de contar a história de Loofs, hoje com 82 anos, e seu Fusca, foi entregue pela VW do Canadá à agência Red Urban, de Toronto. O primeiro produto foi o documentário acima, que em pouco menos de 30 minutos conta a trajetória do homem e seu carro. Com direção de Hubert Davis, da Untitled Films, e edição de Paul Jutras, da Rooster Post, a ideia era mostrar como este carro é capaz de conectar pessoas diferentes por meio de suas experiências, merecendo a alcunha de “carro do povo”.

E se o documentário sozinho já é um material incrível, o hotsite acaba sendo um delicioso acréscimo à experiência. Nele, é possível explorar um mapa com os lugares por onde o carro rodou, com direito a um diário de bordo, fotografias e outros itens relacionados à trajetória da dupla, que pode ser explorado de diferentes maneiras.

Aproveite o fim de semana para assistir ao documentário e explorar o site, que está muito legal, mesmo para quem não é ligado em carros. Um belíssimo trabalho.

vk2
vk3
vk1

Brainstorm9Post originalmente publicado no Brainstorm #9
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