W+K Vet Jon Carlaw Joins DAVID Miami as Director of Strategic Planning

DAVID Miami hired Jon Carlaw as director of strategic planning, responsible for executing creative media and communication strategies for clients including Coca-Cola, Kraft-Heinz and Burger King.

Carlaw joins the agency full-time after spending a year and a half as freelance strategy director, working with agencies including Johannes Leonardo, McKinney, Preacher and Noble People, in addition to DAVID. Prior to that he spent nearly nine years with W+K Portland as a communications strategy and associate media director, working with clients including Coca-Cola, Target, Chrysler/Dodge, Electronic Arts and Ubisoft. Before joining W+K he spent a little over two years as a media supervisor with CP+B Miami, where he focused on the agency’s MINI Cooper account, helping to establish the brand in the U.S. and winning a Cannes Titanium Lion. He has also held media positions at Intermark Group, FCB Chicago and Ogilvy & Mather.

“Jon brings with him deep expertise and powerful insights for brand building and communications planning, which is why he’s perfect for DAVID and our clients,” said DAVID Miami co-founder and CCO Anselmo Ramos. “We’re so happy to have him part of the team.”

Coca-Cola Debuts Its Magical New Packaging With Some Actual Magic

Coca-Cola’s grown tired of happiness, and is moving on to magic. As one does.

In “Taste the Magic,” a new spot by agency David, a waiter approaches a table that’s ordered an unusual amount of Coca-Colas. (Really, nobody wanted anything else?) A woman tells him she didn’t order a regular Coke. No problem! Before her eyes, he transforms it into a Coca-Cola Zero. 

It turns out this is no ordinary waiter. This is Justin Flom, a resident Las Vegas magician and social media star. 

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David, Ogilvy & Mather Tackle Deforestation for Unilever

David São Paulo Converts Big Mac Fanatics for Burger King

David São Paulo launched a new campaign promoting the Big King for Burger King, the chain’s new competition for McDonald’s Big Mac.

The agency created a new online spot in which it found five people around the world who were such big fans of the Big Mac that they had an image of the burger tattooed on their body in visible places. Each of the Big Mac fanatics, from Brazil, Taiwan, the United States, Spain and Italy, was sent an invitation to come to São Paulo to try Burger King’s new burger and test their brand loyalty. Predictably, each of the Big Mac fans liked Burger King’s version even better, but the agency didn’t stop there. They brought in Miami Ink tattoo artist Ami James to transform their tattoos into the flame-grilled Big King. Each of the participants, save for one who didn’t want to change the tattoo he shared with his brother, went along with the transformation and now have an image of the Big King where there was once a Big Mac. That its competitors biggest fans were willing to have the Big King permanently displayed on their bodies is a fairly compelling testament to the Big King, but the story is simple enough that it could have been told in half of its three-minute runtime.

“Leaving old habits behind can sometimes bring us pleasant surprises in life, and that’s what we wanted to convey in this Big King campaign,” said Ariel Grunkraut, marketing director for Burger King in Brazil. “We found out that people are indeed open to change, and they often find that it can bring both
something positive and surprising.”

“Sometimes reality surpasses fiction,” added David Brazil creative vice president Rodrigo Grau. “In literally one month we traveled the world seeking the most fanatical fans of our competitor, to convert them into Big King fanatics. An idea as difficult to accomplish as it was fascinating.”

Credits:

Agency: DAVID São Paulo
Client: Burger King Brasil
Creative VP: Rodrigo Grau
Creative Director: Edgard Gianesi
Art Directors: Diego Barboza, Jean Zamprogno, Bruno Luglio
Copywriters: João Gandara, Fernando Pellizzaro, Ivan Guerra
Executive Producer: Mariane Goebel
Producer: Renata Neumann
Head of Planning: Fernando Ribeiro
Planning Director: Luiz Arruda
Planning Supervisor: André Gonçalves
Account Director: Carol Vieira
Account Supervisor: Natalia Rakowitsch
Account Executive: Natalie Bursztyn
Account Assistant: Fernanda Feldmann

CLIENT
SVP Global Brand Management: Fernando Machado
Marketing Director: Ariel Grunkraut
Marketing Manager: Kellen Silverio
Marketing Coordinator: Thais Nascimento
Marketing Analyst: Lariane Duarte

PRODUCTION
Production Company: Crane.TV
Executive Producer: Constantin Bjerke
Director: Vandalo
Director of Photography: Daniel Venosa
Head of Brand Solutions:  Pernille Raven
Producer: Julieta Biasotti
International Account Manager: Cecilia Temke
Editorial and Online: Cutu Benedict
Producer São Paulo: Juliana Pacheco
Producer Milano: Iacopo Carapelli
Producer Madrid: Beatriz Collado
Producer Taiwan: Lucie Wang
Producer Brasília: Jetro Ositeky
Producer Los Angeles: Felix Reyes
Music and Audio Post: Antfood
Account: Lou Schmidt / Sean McGovern
Audio Producers: Pedro Botsaris / Lou Schmidt / Wilson Brown
Food Stylist: Paula Rainho

David Introduces Ketchup’s New Mustard for Heinz

David introduces Heinz’s “new, better-tasting yellow mustard” with a campaign entitled “Ketchup’s Got A New Mustard.”

“Our Yellow Mustard launch is unprecedented for Heinz and for the mustard category,” said Eduardo Luz, president of Heinz North America, in a statement. “Heinz is America’s Favorite Ketchup, and we’re aiming to become America’s favorite mustard, too. We want people to love their yellow mustard as much as they love our ketchup.”

The new campaign is built around a 30-second spot, “Backyard BBQ,” which personifies the Heinz’s redesigned mustard as Ketchup’s new mains squeeze. He brings her to a backyard barbecue and everything is going great until his ex-mustard shows up. Ketchup’s ex-mustard is less than happy about his new relationship, and he adds insult to injury when he tells his new girlfriend that she has better taste. “For years, Heinz Ketchup has been with the wrong mustard. Well not anymore,” says the voiceover at the conclusion of the spot, followed by the tagline. While the approach highlights the reinvention of the product in an obvious way, some might think it goes a bit far in making the past version of the product (and, by extension, Heinz) look bad. Apart from highlighting its upside-down squeeze bottle design and claiming it’s “better tasting,” there’s also not much of an explanation as to how the new recipe (which the press release describes as utilizing “stone-ground mustard seeds and a secret blend of spices and vinegar” for “a perfect balance of flavor and tang”) is different from the old one.

Credits:

Agency: David                                                                                                                                                                                                                                                                     SVP, ECD: Anselmo Ramos                                                                                                                                                                                                                                      Associate Creative Director (AD): Tony Kalathara                                                                                                                                                                                            Associate Creative Director (CW): Russell Dodson                                                                                                                                                                                                Planner: Paul Ramirez                                                                                                                                                                                                                                                          Dir. of Integrated Production: Veronica Beach                                                                                                                                                                                                               Sr. Producer: Yamaris Leon                                                                                                                                                                                                                                         Digital Producer: Yamaris Leon                                                                                                                                                                                                                            Managing Director: Paulo Fogaca                                                                                                                                                                                                                             Account Director: Carlos Rangel                                                                                                                                                                                                                                 Studio Production Artist: Carlos Panza Lange                                                                                                                                                                                                        Business Affairs Manager: Libby Fine

Production Company: Biscuit Filmworks                                                                                                                                                                                          Director: Jeff Lowe                                                                                                                                                                                                                                                                DP: Darko Suvak                                                                                                                                                                                                                                                        Executive Producer: Colleen O’Donnell                                                                                                                                                                                                                 Producer: Kali Niemann                                                                                                                                                                                                                                         Production Mgr.: Amanda Amann                                                                                                                                                                                                                            Casting Agent: Alyson Horn

Animations/Graphics Co: Jogger                                                                                                                                                                                                                       Flame Lead: David Parker                                                                                                                                                                                                                                       Producer: Lynne Mannino

Billy Eichner Is So Pissed at Burger King

For nearly twenty-four hours, comedian Billy Eichner of “Billy on the Street” fame has been accusing Burger King of ripping him off.

While we didn’t think he was a particularly good fit for the last season of Parks and Recreation, he has won the attention of pretty much everyone in media today. The “controversy” received coverage on TODAY, Time, Gawker, Variety, etc., and Mashable even made its own “did BK rip off BE?” video.

Here’s the ad:

…and a clip of Eichner asking the public for its take on Miley Cyrus after the jump.

(more…)

New Career Opportunities Daily: The best jobs in media.

Burger King, DAVID Have Pride in Their New Gay Whopper

How gay does this Whopper look to you?

See, that was a trick question: packaging aside, it looks and tastes exactly like every other Whopper.

On that point, here’s the spot promoting it from DAVID, which premiered today:

This ties quite nicely into the brand’s new (contentious) “Be Your Way” tagline…

(more…)

New Career Opportunities Daily: The best jobs in media.

Burger King to America: ‘Why Just Have It Your Way?’

Earlier this year, the home of the Whopper slapped the advertising world with one of its own by parting ways with lead agency Mother. It was a public divorce attributed to the all-too-familiar “creative differences.”

Now something else is grilling: Burger King just announced that it has found a new home for its 40-year-slogan in the tagline cemetery. The new line is “Be your way,” because nothing could be more personal than ordering a No. 2 with a large carbonated beverage.

Witness the strategery in action after the jump.

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New Career Opportunities Daily: The best jobs in media.

WPP’s David Documents the Rise and Fall of ‘Subservient Chicken’ for Burger King

Today Burger King dropped the first spot by its new global AOR, WPP agency David.

As a faux “where are they now” covering the CP+B original’s fall from fame and return to viral advertising, it’s about as meta as you would expect.

It’s also more than a little “Rocky”: there’s an Italian trainer; there’s an instrumental montage; there’s at least one raw egg; there’s Screech as a costumed Mexican chicken fighter.

The campaign isn’t as interactive as its predecessor; while the rollout included a series of missing person-style print ads, viewers can’t tell this chicken what to do (and yes, we know the responses were pre-recorded in 2004).

The big question, given the spot’s very open-ended conclusion and the fact that BK CMO Eric Hischorn told USA Today that “[The Chicken] will stick around going forward”: where will the sequel go?

continued…

New Career Opportunities Daily: The best jobs in media.

The Infrared Landscapes

David Keochkerian est un français amoureux de la photographie. Basé dans la Somme. il cherche à capturer l’éphémère mais aussi à associer des techniques photographiques différentes dans ses oeuvres. Avec des paysages pris en infrarouge, il nous dévoile de superbes images à la limite du surréaliste.

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Coca-Cola mostra que Natal é época de compartilhar, até mesmo o táxi

Todo mundo diz que Natal é tempo de compartilhar, mas isso geralmente não vale para a fila do táxi. Que o digam os passageiros de Congonhas.

Em Roma, a Coca-Cola resolveu testar a boa vontade das pessoas. Ofereceu um táxi de Natal pelas ruas da cidade, que indicava através do painel luminoso qual era o destino do passageiro que estava dentro do carro.

Já que era o mesmo caminho, qual o problema de compartilhar?

A criação é da DAVID.

Coca-Cola Natal

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Coke Wants You to Live Like Grandpa, You Self-Destructive Slob

Your grandpa was a svelte boss. You, by comparison, are a junk-gobbling slob, according to a slick new split-screen ad for Coca-Cola from agency David in Buenos Aires. The spot, part of a larger effort to position Coke as anti-obesity, is meant to compare granddad's modest approach to life with today's steady diet of too much everything: oversized sandwiches, lattes and pre-TV-dinner hot dogs. Don't cut out Coca-Cola, though. Sugar water is cool, so long as you're riding your bike to work and taking the stairs. Because no matter what, it's important to enjoy life, and sugar water—or maybe aspartame water—is clearly the key to happiness. 


    

Table Tennis Experience

Présenté comme son projet de fin d’études à Forsbergs School of Design & Advertising à Stockholm, ce projet David Rinman appelé « Match Beat » est une nouvelle expérience, permettant de créer une interaction visuelle et sonore avec la table de ping pong. Il permet aux joueurs de contrôler la musique et l’aspect visuel en jouant.

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The Next Day: a volta de David Bowie

Longe dos holofotes e da mídia por 10 anos – mas sempre no coração e nas playlists dos fãs – David Bowie retornou ao mercado com seu novo (e guardado a sete chaves) The Next Day.

Lançado após dois anos de reclusa gravação com praticamente o mesmo time de Reality – e com a assinatura tradicional do produtor Tony ViscontiThe Next Day parece um tributo de David Bowie para ele mesmo. Obvia e felizmente, o disco não tem essa pretensão, e o que se ouve 10 anos depois do hiato de Bowie poderia muito bem ter sido ouvido em 2005. Ou seja, The Next Day parece uma continuação mais do que natural para o que ele já fazia uma década atrás.

Todas as suas marcas registradas estão lá: o alto nível das melodias, o flerte com o drama, a experimentação instrumental requintada que esbanja bom-gosto e os arranjos de arrepiar a espinha e de causar inveja, como no caso das incríveis e espetaculares How Does The Grass Grow?, Boss Of Me e da maravilhosa You Feel So Lonely You Could Die.

The Next Day traz todas as personas de Bowie de volta, em plena forma. E vai satisfazer todo mundo que estava carente por um material novo do mestre. Se você gosta de David Bowie, prepare-se para adorar o disco novo. Pode não ser revolucionário como alguns esperam, mas é glorioso. É Bowie de volta com fôlego total, conscientemente revisitando o melhor de seu passado com o cuidado de não cair na nostalgia rasa, incorporando seu toque inovador de sempre. E isso já é o bastante para fazer de The Next Day uma experiência emocionante.

Ziggy Stardust está de volta, Aladdin Sane está de volta. The Thin White Duck está de volta.

Bem-vindos.

Confira os videos de The Stars (Are Out Tonight)  e de Where Are We Now?

Brainstorm9Post originalmente publicado no Brainstorm #9
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A primeira música de David Bowie em 10 anos

Ele voltou.

: )

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The Girl with the Dragon Tattoo

A l’occasion du dernier film de David Fincher “The Girl with the Dragon Tattoo”, adaptation du best-seller de Stieg Larsson, le Studio Blur a réalisé ce superbe générique d’ouverture pour le film. Une création réalisée par Tim Miller visuellement sombre et impressionnante.



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