Y&R New York and Campbell’s Chunky Soup Recast NFL Players as ‘Everyman All Stars’

Y&R New York launched a new campaign for Campbell’s Chunky Soup ahead of the new football season starring NFL players Drew Brees, Odell Beckham Jr., Eddie Lacy, Todd Gurley, Eric Ebron and Kyle Long, entitled “The Everyman All Star League.” 

The campaign takes a look at a sort of reverse fantasy football, where NFL stars draft everyday guys out of Brees’ basement. It’s unclear what kind of metrics the league is based around, but it seems that guys like Mitch Greenwald are in high demand. Greenwald is a welder and volunteer fireman who still finds time to make tiny doll furniture for his daughter. Beckham Jr. announces his pick, much to the chagrin of other league participants who had Greenwald in mind for their own teams.

“In this campaign, we turned the tables on traditional fantasy football and asked NFL superstars to draft everyday guys in Drew Brees’ basement,” explained Campbell’s Chunky soup brand manager Abby Elu. “In a fun and light-hearted way, the campaign celebrates the daily victories the ‘everyman’ tackles on and off the field and highlights how Chunky soup fills up all kinds of people – from a Super Bowl stars to busy parents and loyal neighbors.”

The approach builds off the brand’s past NFL efforts with a slightly new (but still plenty cheesy) spin in the “Everyman All Star League.” Interested parties can head to EverymanLeague.com to create their own player card, be placed on one of the general mangers’ teams and enter for a chance to win Super Bowl LI tickets, NFL-licensed autographed gear and other prizes.

Four additional spots will round out the campaign over the course of the NFL season, running on ESPN and the NFL Network. The ads will continue to explore “The Everyman All Star League” run out of Drew Brees’ basement. 

Y&R Imagines the Sad Wasteland of All Those Shopping Carts You've Abandoned Online

Do you ever abandon an online shopping trip mid-search, only to discover your potential purchases weeks or months later, still languishing in the cart?

Online discount code hub RetailMeNot and agency Y&R New York bring that image to life in a new ad called “Carts,” one of two new spots aimed at raising awareness of site features beyond promo codes.

Y&R says its mission was “to transform the brand’s position from a coupon aggregator to a tool that empowers more confident shoppers,” resulting in the “Carts” spot and a brick-and-mortar example called “Handbag.” In the second spot, a shopper overcomes her retail-price angst thanks to a discount from RetailMeNot’s mobile app.   

Check them both out below:

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Y&R Opens Up Shop in Memphis

Y&R officially launched its new Memphis office yesterday with a grand opening and ribbon cutting co-sponsored by the Memphis Chamber of Commerce.

Y&R Memphis was created to service the agency’s United States Navy account under The Navy Partnership, which also includes ML, Wunderman, Burson-Marsteller, MEC and Uniworld. Fifty professionals from the area were hired to work on the Navy account. The U.S. Navy named Y&R its lead agency in May of 2015, following a review. 

“We’re thrilled to be the first global advertising agency to have a presence in Memphis,” said Y&R global CEO David Sable in a statement. “Working across our partner agencies and establishing ourselves within close proximity to the Navy’s headquarters will allow us to deliver the full power, resources and marketing expertise of our global network to Memphis and the greater Mid-South region. We’re so excited to finally be here.”
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The office will be led by managing director Ken Dowling, who also serves as global client leader on Y&R’s Navy account and will lead business development at Y&R Memphis. Dowling will partner with executive creative director Ryan Blum, who recently joined the agency from Publicis Seattle.

Blum spent around a year and a half as a creative director with Publicis Seattle, following two years as a group creative direcor at TraceyLocke and three as a creative director before that. Prior to joining TraceyLocke in 2010, he spent two years as a copywriter with The Richards Group, after beginning his career by spending six years as a copywriter with TraceyLocke. Over the course of his career he has worked with brands including T-Mobile, Samsung and 7-Eleven.

“This is such a proud day for Y&R,” Dowling said. “We’re extremely excited to officially open our doors in Memphis, a thriving city. With Ryan on board, and with the help of our partner companies, we know we will do great things here as we build on the revitalization already taking place, and hope to become a part of the long-term success of the Memphis community.”
YR Memphis Opening

Y&R New York Boosts Creative, Digital Departments

Y&R New York added to its creative and digital departments with three new hires: executive creative director Ryan Blum, director of interactive and activation Catherine Patterson and digital experience director Eric Ackley

“These hires will help us to be led more by creative and digital, to move into areas like user experience and experiential,” said Y&R New York CCO Leslie Sims.

Blum will be leading the Y&R’s Navy partnership while helping launch the Memphis office that finally opened after nearly a year of legal back-and-forth involving the client’s previous agency, Campbell Ewald.

He joins the agency from Publicis Seattle, where he has served as creative director since January of 2015, focusing on the T-Mobile. Prior to that he spent two years with TraceyLocke as a group creative director working on brands including Samsung, Texas Lottery and 7-Eleven. He spent an earlier stint with TraceyLocke as a copywriter, beginning in March of 2002 and leaving in February of 2008 to join The Martin Agency. During his original run with TL, he worked on the Kwik-E-Mart 7-Eleven cross-promotional campaign with The Simpsons Movie.

(Another creative who worked on that campaign, Kyle Jones, recently joined Kansas City-based agency Barkley.)
image-2Patterson comes to Y&R after serving as a founding partner for “creative and strategic SWAT team” TakeTheKing since September of 2015. Before that she spent a year as senior vice president, executive producer/creative technology and emerging media group at McCann New York, following six years with he agency as SVP of its experience group. She worked with Sims while at McCann, led the Nature Valley Trail View project, designed the digital and social media launches for the Phoenix Mars Lander program and launched a margarita into space for Jose Cuervo last year’s National Margarita Day.

Ackley joins Y&R from sister agency Geometery Global, where he served as experience director for a little over two years. That followed more than five years with Havas, first as associate director, creative technology and then director of creative technology. Over the course of his career, he’s worked with brands including Dos Equis, Ritz, Pepperidge Farm Goldfish, Volvo, American Express, Nikon and Charles Schwab.

Jaguar Gave People the Craziest VR Experience Ever With This Sneaky Prank

Jaguar’s “Actual Reality” prank from a few months ago just won big at Cannes, taking home four Lions (a gold, two silvers and a bronze). It also would have probably given me a heart attack if I’d participated.

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The Richards Group Wins AOR Duties for Famous Footwear

Famous Footwear appointed The Richards Group as its new agency of record, following a review. The Dallas-based independent agency will be tasked with creative, brand strategy, digital and social strategy.

“The Richards Group checked off every item on our list in searching for an agency partner,” Famous Footwear CMO Will Smith said. “We were looking for complete cross-platform integration, outstanding creative chops, and strong strategic insights. The Richards Group delivers on all these elements. But one of the things we appreciated the most was their ability to listen. That told us they would be a highly collaborative partner as we move the business forward.”

Y&R Chicago had held creative duties since 2011, following Famous Footwear ending its relationship with Campbell Mithun after more than three years and subsequently launching a review. It is unclear if Y&R participated in the review. 

“We got to know their business as well as we could during the review process, and the briefing they provided us early on was invaluable as we approached the final assignment,” said The Richards Group principal Stephanie Vander Linden, who will lead the Famous Footwear business. “Working with Famous Footwear to find the heart of the brand showed us how well our teams would work together. If that wasn’t motivation enough, we look out the window every day and see a Famous Footwear store across the street. We want to be part of their success.”

The Richards Group’s first work for the brand is expected to run for back-to-school season later this summer. 

Marks & Spencer Launches Closed WPP Review

Everything’s coming up WPP for British retail giant Marks & Spencer, which just launched a closed creative review involving only the Sorrell holding company’s shops.

16-year incumbent RKCR/Y&R will defend against fellow WPP agencies J. Walter Thompson, Ogilvy & Mather, Grey London, CHI & Partners and VCCP in the review, which will take place over the summer.

“Together with M&S we have redefined retail advertising, invented food porn and welcomed a host of leading ladies from Twiggy to Rita Ora,” RKCR/Y&R CEO Jon Sharpe said in a statement. “Our campaigns have instilled M&S’s core principles of quality, service and value whilst cementing its position as a stylish and iconic national treasure. We have enjoyed consistent recognition and reward for both creativity and effectiveness of our creative output and we look forward to meeting the challenge of this pitch with the dedication, passion and enthusiasm we greet every brief from M&S.”

The agency’s recent work for Marks & Spencer includes last year’s food porn holiday effort “Adventures in Surprises” and last September’s 40-second spot promoting the brand’s fashion offerings.

Since taking over as CEO last last year, Sharpe has helped lead RKCR/Y&R to three consecutive successful pitches, including defending the agency’s BBC account.

Why do clients do this, again?

The Fish at This Grocery Store Are So Fresh, They're Still Rattling Around in Their Boxes

Nothing says fresh fish quite like the anguished death spasms they exhibit upon being caught, which Y&R Poland recently simulated in amusing fashion for a grocery-store prank.

The agency, working with creative lab Jack the Maker and production company Raymond, created “The Live Fish Pack,” which looks like a fish in a box—but behaves like a fresh catch by jumping around now and then. As an fun added touch, the box was connected by wifi to a proximity sensor, allowing it to know when shoppers were approaching—and start shaking and jumping accordingly.

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NFL Players Say 'No More' to Domestic Violence and Sexual Assault in Powerful PSAs

Nearly two dozen current and former National Football League stars appear in powerful new PSAs condemning domestic violence and sexual abuse.

They look straight into the camera as they say “No more” to excuses and rationalizations that perpetuate the problem. These include “Boys will be boys,” “He just has a temper,” “Why doesn’t she just leave?” and “She was asking for it.”

New York Giants quarterback Eli Manning bookends a 60-second clip, which also features league exec Troy Vincent and Pittsburgh Steelers star William Gay, both of whom have suffered abuse tragedies in their lives. The work was developed by Y&R and produced by Viacom and the Joyful Heart Foundation. The latter’s founder and president, actress Mariska Hargitay, was among the spots’ directors.

“This is a monumental step toward change,” Hargitay tells USA Today. “If badass NFL heroes are coming forward to talk about these issues, I guarantee you it is going to give inspiration and permission to young boys to step up in a new way. Love in a new way, protect in a new way, and to be a man in a new way.”

The NFL, plagued by scandals involving Ray Rice, Adrian Peterson and others, is donating $3 million a week in air time for the PSAs. The player spots broke during last week’s Thursday Night Football telecast on CBS. “No More” spots featuring celebrities like Courteney Cox, Amy Poehler and Ice-T last broke a month ago.

The campaign’s plain talk is compelling, and so is its stark visual style. Against a plain white background, the players establish an instant connection with viewers. That makes it hard to look away when the subjects challenge us to face tough issues and do the right thing.



Staffing Changes at Y&R, Hawthorne Direct, And More

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Ronny Northrop is now ECD at Y&R California. Northrop, who will report to CCO Mimi Cook in the agency’s San Francisco office, previously spent extended stints as a copywriter at CP+B and creative director at GS&P. Before joining Y&R, he spent time freelancing for 72andSunny, Butler, Shine, Stern & Partners and others. While Northrop’s resume indicates that he joined Y&R in February, AdAge mentioned the change for the first time today.

Hawthorne Direct promoted John Pucci to the position of Chief Marketing & Creative Officer. Pucci, who joined the agency in 2011, has served as SVP/CCO since 2013; in his new role he will oversee all “marketing, publicity and promotional activities.” Prior to joining Hawthorne, Pucci served as ECD at Havas Edge in Hollywood, and his recent agency history includes SVP/ECD stints at Publicis and RAPP. Earlier in his career, he worked as art director at Saatchi & Saatchi, held the GCD position at DDB LA, and served as a partner at TracyLocke.

He has also worked in-house for organizations as varied as Walt Disney World, E! Networks and Mattel.

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Y&R Promotes Shelley Diamond to Chief Client Officer

Shelley Diamond, formerly worldwide managing partner at Y&R, has been promoted to chief client officer. She will continue to serve as a member of Sable’s Global Executive Committee.

Throughout her tenure at Y&R, Diamond helped build the Xerox, Dell and Campbell’s teams and other key accounts. She led Y&R New York from 2007 to 2010, during which she presided over strong organic growth with Y&R’s clients and helped bring in new business.

Now for the accolades: In 2013, Shelley was selected by Business Insider as the 11th Most Powerful Woman in Advertising, and in 2005, she was recognized as a “Working Mother of the Year” by The Advertising Women of New York and Working Mother Magazine.

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Thailand Does It Again With an Ad That Will Leave You Bawling Like This Baby

We’ve all been there, as a father, family member or designated baby holder. Mom hands off her bundle of joy to you as she grabs four minutes of alone time in the Applebee’s bathroom. Now it’s you and Junior. Alone. And he just. Starts. BAWLING.

There’s nothing like the sound of a weeping baby to whip you into a state of panic. And you want nothing more than to find Mommy. But if Mommy’s gone, and you’re in Thailand, you grab your cellphone from DTAC in a frantic effort to distract the child with soothing technology.

Let’s just say it doesn’t quite work out as planned.

This new DTAC ad, from Y&R Thailand, is the latest in a spree of sob-fest spots from Thailand in recent years. (Man, they’re good at this stuff.) The premise is debatable—show me a living human infant who is immune to cartoon penguins—but the sentiment is a sweet one, and parents with vague underlying guilt about the smartphone as babysitter will relate.

Plus, it’s refreshing to see a tech ad where the gadget most certainly doesn’t save the day. Not every tech marketer would be OK with that.

Check out the spot below. Spoiler: Dad doesn’t eat the baby.



Overgrown Beards Are Like Wild Animals Clinging to Your Face, Schick Ads Say

Y&R New Zealand turns manly beards into cute animals for Schick’s “Free Your Skin” campaign, which takes a bold anti-beard stance in this golden age of hirsute ruggedness. 

Of course, sneering observers are all calling the Schick models hipsters, so maybe the ads also tap into a sort of cultural exhaustion with all things bearded, buttoned-down and knit-capped. Seriously, I think Tony Montana said the F-word fewer times than I’ve read the word “hipster” doing research for this post. 

Y&R did a brief interview with Metro about the campaign, claiming that the bearded creatives in the agency’s employ “all confessed that their beards aren’t actually that pleasant to live with.” Lies and slander! They also claim that “women actually find beards kinda gross,” which science would argue is only half-true.

Via Design Taxi.



Impressionist Classics Finally Come Into Focus in Clever Eyewear Ads

Tell the art history majors to leave the room, because here’s a campaign that will make creative types jealous and will make purists’ eyes bleed.

In a campaign that’s new to us but appears to have been running for a while now, Y&R Paris has created a series of ads for eyewear retailer KelOptic showing Impressionist paintings brought into focus.

The tagline is “turning impressionism into hyperrealism.” Another case of advertising sullying some of mankind’s greatest artistry? Sure. But also pretty awesome. 

The work received a merit award in this year’s One Show.

Via Ads of the World.



CCO Matt Eastwood Leaves DDB for JWT

The move is now official: agency vet Matt Eastwood has left his position as CCO at DDB New York to become worldwide chief creative officer at JWT (or, as they’d prefer, the J. Walter Thompson Company).

The Australian-turned-New Yorker worked with DDB in his home country and served as CCO at Y&R before he replaced a departing Eric Silver in the agency’s Manhattan office almost exactly four years ago.

Eastwood brings an extensive portfolio to the new role; he scored the #5 spot on the Ad Age “most awarded” list for 2013, and his name has appeared atop the credits for recent campaigns featuring everything from bearded, lottery-playing hipsters to seniors who never remember to wear their condoms.

Beginning next month, Eastwood will report directly to JWT global president Gustavo Martinez. He will be the first to fill the global CCO role since the 2009 departure of Craig Davis, who left to rejoin the continent of Australia.

New Career Opportunities Daily: The best jobs in media.

Y&R Helps Bring the Beats to Save the Cedars

We didn’t realize that trees make their own beats until we saw this latest entry in your springtime awards show submission lineup via Y&R.

As with like-minded work from DDB, et al, the spot brings attention to a non-profit addressing a social/environmental problem–in this case, the destruction of Lebanon’s cedar forests by (we assume) the local foresting industry.

Turns out these trees create a sort of internal “rhythm” of their own. The “Save the Music” org, which has absolutely nothing to do with anyone named Britney, recruited a popular area DJ to turn these ambient soundwaves into something that might just get the kids to dance.

Even if you don’t like European house music, the production process is compelling–as is the contrast between epic landscapes and insular club shots.

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Geometry Global Appoints New North American CEO

geometryOur tipsters were ahead of the press release today. WPP‘s New York-based “world’s largest activation network” Geometry Global–which sprang to life last summer as the activation agencies at G2, Ogilvy and JWT merged–has appointed Carl Hartman as its new North American CEO effective May 1st.

The release, which describes Hartman as “one of WPP’s top shopper marketing experts”, notes that he led the Kimberly-Clark team for more than six years before this move; he will continue to hold that role while reporting to global CEO Steve Harding.

Regarding the agency’s two current co-CEO’s:

Before beginning his stint at WPP, Hartman worked as a director at MEC and an account manager at Y&R.

New Career Opportunities Daily: The best jobs in media.

Creative Ideas Die Messy Deaths in Ad School’s ‘Dumb Ways’ Parody

It's a bit surprising that no one's done this until now, but here it is—a parody of the megaviral "Dumb Ways to Die" train-safey video showing various ways in which creative ideas die ignoble deaths in the ad business.

Some of the joke writing feels a little off, or perhaps just lost in translation—the video was made by Young & Rubicam Brazil for Miami Ad School/ESPM in São Paulo.

Still, it's decently produced and comically relatable—every ad creative has a story about a dumb way in which his/her flash of brilliance was ruthlessly extinguished.




Film Vets Launch Production Studio Disorderly|Conduct

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Today the principals at Straight Up, Films–the studio behind the upcoming Johnny Depp Warner Bros. flick “Transcendence”–formally launched their production studio/commercial division.

Operating under the Disorderly|Conduct moniker, the new division will be run by Straight Up producers Kate Cohen, Marisa Polvino and Ron Cicero.

From the release, the principals started the studio to “…collaborate with leading advertising agencies and entertainment brands to create commercial content” directed by ad/entertainment vets who the D|C team spent the last year recruiting.

That lineup’s collective portfolio includes work for Panasonic, Lexus, Playstation, Axe, DirecTV and more as well as episodes of “Glee”, “House” and other shows. These directors have created spots for Weiden & Kennedy, TeamOne, 180, Y&R and JWT.

Polvino says the launch makes sense because “Feature film directors are coming to the space from all arenas” and “Commercial directors in particular are directing material that’s incredibly cinematic”–like the D|C Jeep spot after the jump.

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Dell Highlights the Dingy, Humble Beginnings of Today’s Popular Brands

Dell seeks to recapture its entrepreneurial spirit in new work from Y&R and VML, including this "Beginnings" spot that shows small apartments, basements and other venues where modern brands were born. 

Companies like TripAdvisor, Whole Foods and Skype, all of which use Dell products and services, serve as the stars of the spot. (Apparently, Dropbox was conceived on a bus. I did not know that.)

At the end, we see the University of Texas at Austin dorm room where Michael Dell sold PC upgrade kits in 1984, emphasizing the company's startup roots. The spot, directed by Tomas Jonsgården of Anonymous Content, comes as Dell, newly privatized and refocused on enterprise systems and cloud computing, prepares to write its next chapter.

Now, Dell's no startup, but a high-tech behemoth, so this strategy seems kind of risky, as it almost dares critics to call out the message as disingenuous. Still, the company is entering a new phase, so the approach works well enough, and the spot feels legitimately humble and less like a brag. Plus, the visuals are memorable, if only because you don't expect Dell to present 60 seconds of drab facades and spaces devoid of people and technology. Such muted imagery captures the lonely uncertainty of the startup experience and makes "Beginnings" seem more heartfelt than ads that cast their wares as shiny eye candy.